William R. Ferris Quotes
There is a mythic view of the South that's symbolized by the film "Gone With The Wind" that looks back fondly at slavery as a time when everything was happily in place - in place for whites.
Quotes to Explore
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Stax was rejoicing in the difference in who we are, and that's what you see in the film.
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Charlie Sheen gave me a signed headshot. I think it said, 'Keep it real.' But 'real' was spelled 'reel,' like a film reel.
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Film is anti-language.
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Is life so dear or peace so sweet as to be purchased at the price of chains and slavery? Forbid it, Almighty God! I know not what course others may take, but as for me, give me liberty, or give me death!
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I write for somebody who has my own limitations. My reader has a certain difficulty with concentrating, which in my case comes from being a film viewer.
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I refuse to accept that the shackles of slavery can ever be stronger than the quest for freedom.
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All my brother Eliot and I did as kids was film sketches.
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In a typical history book, black Americans are mentioned in the context of slavery or civil rights. There's so much more to the story.
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A high-brow is someone who looks at a sausage and thinks of Picasso.
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I read a lot of plays as a kid, but I didn't see that many plays, so I feel better-versed in film history and film structure. I just think it's easier to think in pictures.
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My face looks like a wedding-cake left out in the rain.
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All I can say is that I am not one of those writers who want 100% of their book in the film. I recognize that film is a different medium and the filmmaker must have the right to bring some new elements to the table, provided the soul of the book is preserved.
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What looks like enjoyment is the sneer of contempt. That's not a smile.
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I look for roles that allow me to immerse in different worlds, immerse in worlds that are different from mine. Then, when you finish a film, you're a different person. I look for that. I look to be impacted, to be transformed, changed by my roles. That's why I do this.
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Beautiful film music can be made relevant to any period.
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I do miss 'Battlestar', the cast and crew. That was a pretty well-oiled machine. It's sort of like you don't know what you've got till it's gone. But I go to a lot of sci-fi conventions, and I love going and talking about the show.
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I've done a lot of TV, but not film.
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The Confederacy stands for slavery and the Union for freedom.
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There's never really been a true apology for slavery.
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Would I do it again? Film another movie? Oh yeah.
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I think, for some artists, the fear of taking on a political identity stems from not wanting to be pigeonholed as political actor or a political musician. It becomes this thing where somehow your art can no longer exist on its own and be multifaceted.
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What is happening in politics today is a similar process to what happened in the medical world a few decades ago: realizing that there's more to healing than just addressing symptoms. Primary paradigm when it comes to dealing with political and social disease is allopathic: Pass a law, lock someone up, engage in warfare. And the state of the world today makes it clear that such allopathic measures have not exactly brought peace to all.
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There is a mythic view of the South that's symbolized by the film "Gone With The Wind" that looks back fondly at slavery as a time when everything was happily in place - in place for whites.
