Wang Jianwei Quotes
The subject of contemporary art should include a political dimension, the distrust contemporary art has towards the existing order. One manifestation of this distrust is the mechanical dichotomization between art's form and its political content; the other is the institutionalizing tendency of anti-institutionalization. We almost never resist ourselves - the part of ourselves that has been institutionalized. We have occupied the word "resistance" and have become its owner, while "resistance" has become our servant. Thus, we own "resistance" and occupy it as a position of power.
Quotes to Explore
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WWE was an opportunity to wrestle in front of thousands - in 2013, I did 227 matches, and almost all of them were in front of more than three or four thousand people, with a high of 70,000 plus. It was an incredible experience to be part of that.
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As the law minister, I had ensured that the government's right to natural resources was protected. The result was evident. The honourable Supreme Court gave the landmark decision in RIL vs RNRL case that the government is the owner of all natural resources.
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It is not important what Rahul Gandhi thinks, its important what a billion Indians think.
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If you're looking for immediate rewards, you're only looking for the money.
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There is nothing so unthinkable as thought, unless it be the entire absence of thought.
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I like 'The Three Musketeers.' I like those kind of cool things where they were having a robe and a sword.
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Folks like me have to feel a little indebted to the communities that they came from. And if they do, I think we'll start to see a little bit more of a geographic integration in the country because people will start to think, 'You know what? I owe that place something, and I should return to it in one form or another.'
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I see Baccarat in major gateway cities like Paris, Tokyo, Shanghai and Hong Kong and exotic resort locations.
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I'm on 'Dancing with the Stars' because I want to prove my sister wrong. My sister literally told the world that I could not dance, so I have to redeem myself.
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I love the Middle East. My earliest childhood memories are of Jerusalem. I love the colors and smells and cadence of Arabic spoken in the streets of Cairo or Beirut. I also love the modernity and verve of Tel Aviv.
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I have been struck by the pervasive frequency of pompously patriotic ads for the defense industry, usually accompanied by deferential salutations to our men and women who are heroically sacrificing their lives in our defense. Do we really need all of that for our security?
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All of the troubles that some people have in life is that which they married into.
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Three things about water affect almost all of cooking. First are the hydrogen bonds, which is why it has an incredibly high boiling point. Another is that it's a polar molecule, so that it dissolves a lot of things, and there are things that won't mix with it. And then there's how much energy it takes to heat water.
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The history of human civilisation is a history of mutual borrowings.
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My mum actually gave up work to look after my child, which is so touching.
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Real equality is immensely difficult to achieve, it needs continual revision and monitoring of distributions. And it does not provide buffers between members, so they are continually colliding or frustrating each other.
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I was in a marriage, and we didn't make it. So my hope is, through my music, I can help heal some relationships that may be headed in that direction.
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To have children on the set, you realize that if a 10-year-old can do it, who are you kidding? It humbles you.
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You have to be a good team, but you have to be lucky and stay away from injuries.
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Wise men speak because they have something to say.
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I grew up in Florida, so every now and then, we'd have a garter snake in the lawn. But I'm not super okay with them.
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Before acting, I wanted to become a journalist. I also toyed with the idea of being a chef - but that's only when people asked me what I wanted to be. In fact, I always used to say I wanted to be an actor, but I didn't ever believe that I was good enough to be come one.
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There's no political point worth my son's life.
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The subject of contemporary art should include a political dimension, the distrust contemporary art has towards the existing order. One manifestation of this distrust is the mechanical dichotomization between art's form and its political content; the other is the institutionalizing tendency of anti-institutionalization. We almost never resist ourselves - the part of ourselves that has been institutionalized. We have occupied the word "resistance" and have become its owner, while "resistance" has become our servant. Thus, we own "resistance" and occupy it as a position of power.
