C. J. Box Quotes
I love to feature children and young adults as real people - flawed, naive, virtuous, venal - but real. I think it adds nuance and depth to the stories that wouldn't exist without them.
Quotes to Explore
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I spend an extraordinary amount of time in my car, so I can justify the expense. That's the only extravagance in my life - it's my car.
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I used to believe I was going to live forever. And then you suddenly become aware that you're not.
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Far worst of all, the fever had settled in Mary's eyes, and Mary was blind.
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From my very first movie, what was my concentration, my inspiration, was I didn't want to narrate something, I didn't want to tell a story. I wanted to show something, I wanted for them to make their own story from what they were seeing.
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I try to do two moot courts for every Supreme Court case (and one to two for courts of appeals), and to ensure I am being mooted by people who know the Supreme Court well and are coming to the case fresh.
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The search for knowledge is a long and difficult task.
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I personally love the record-making more than the actually performing and travelling. It's funny, the drastic shift in lifestyle that comes with it. It certainly satisfies my more adventurous side, but it leaves little time for contemplation and all of that.
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I make mistakes on a very grand scale.
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In the day-to-day, farm work is stress relief for me. At the end of the day, I love having this other career - my anti-job - that keeps me in shape and gives me control over a vegetal domain.
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I feel fortunate that I'm able to play diverse roles. I don't think everybody in Hollywood gets the opportunity to do that.
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Research programmes, besides their negative heuristic, are also characterized by their positive heuristic.
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There's a fast-track if you can do the networking. For some personalities it works, but for mine it doesn't.
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I do want to lose weight for my children. I don't want them to think being fat is okay.
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There is no bore like a clever bore.
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In law school, I earned the respect of professors and served on the editorial board of 'The Yale Law Journal.'
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I learned early on that one of the secrets of campus leadership was the simplest thing of all: speak to people coming down the sidewalk before they speak to you. I would always look ahead and speak to the person coming toward me. If I knew them I would call them by name, but even if I didn't I would still speak to them.
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Whatever our bedtime was as kids, we could stay up an extra half hour if we were reading. My parents didn't care as long as I was under the spell of a Stephen King or a Douglas Adams. Now I read in bed. I read at work. I read standing in line. It's like, 'Hello, my name is Nathan and I am a reader.'
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In the twentieth century one of the most personal relationships to have developed is that of the person and the state. It's become a fact of life that governments have become very intimate with people, most always to their detriment.
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The fact that 'Mom' is not joke, joke, joke - and is investing in these characters and their lives, things that really happen to people - I think it's resonating, and that's why people are tuning into it and not just dismissing it as a multi-cam sitcom.
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Evil, by definition, is that which endangers the good, and the good is what we perceive as a value.
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Many other countries in this world are in a difficult situation, and all the Thai people are probably worried about the fate of Thailand: whether the country would survive or not.
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I don't really think in terms of the future of literature. I think literature will be around "forever" - but in a relatively niche way, like jazz and poetry, although probably more widely consumed than jazz and poetry since it's fundamentally a narrative form. And I think that's important and places like Word Riot and 'The New York Tyrant' and 'n+1' will be responsible for keeping it alive.
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I love to feature children and young adults as real people - flawed, naive, virtuous, venal - but real. I think it adds nuance and depth to the stories that wouldn't exist without them.
