C. J. Box Quotes
I love to feature children and young adults as real people - flawed, naive, virtuous, venal - but real. I think it adds nuance and depth to the stories that wouldn't exist without them.
Quotes to Explore
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I spend an extraordinary amount of time in my car, so I can justify the expense. That's the only extravagance in my life - it's my car.
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I used to believe I was going to live forever. And then you suddenly become aware that you're not.
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Far worst of all, the fever had settled in Mary's eyes, and Mary was blind.
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From my very first movie, what was my concentration, my inspiration, was I didn't want to narrate something, I didn't want to tell a story. I wanted to show something, I wanted for them to make their own story from what they were seeing.
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I try to do two moot courts for every Supreme Court case (and one to two for courts of appeals), and to ensure I am being mooted by people who know the Supreme Court well and are coming to the case fresh.
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The search for knowledge is a long and difficult task.
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I personally love the record-making more than the actually performing and travelling. It's funny, the drastic shift in lifestyle that comes with it. It certainly satisfies my more adventurous side, but it leaves little time for contemplation and all of that.
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I make mistakes on a very grand scale.
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In the day-to-day, farm work is stress relief for me. At the end of the day, I love having this other career - my anti-job - that keeps me in shape and gives me control over a vegetal domain.
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I feel fortunate that I'm able to play diverse roles. I don't think everybody in Hollywood gets the opportunity to do that.
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Research programmes, besides their negative heuristic, are also characterized by their positive heuristic.
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There's a fast-track if you can do the networking. For some personalities it works, but for mine it doesn't.
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I do want to lose weight for my children. I don't want them to think being fat is okay.
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There is no bore like a clever bore.
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In law school, I earned the respect of professors and served on the editorial board of 'The Yale Law Journal.'
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I learned early on that one of the secrets of campus leadership was the simplest thing of all: speak to people coming down the sidewalk before they speak to you. I would always look ahead and speak to the person coming toward me. If I knew them I would call them by name, but even if I didn't I would still speak to them.
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Whatever our bedtime was as kids, we could stay up an extra half hour if we were reading. My parents didn't care as long as I was under the spell of a Stephen King or a Douglas Adams. Now I read in bed. I read at work. I read standing in line. It's like, 'Hello, my name is Nathan and I am a reader.'
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I don't think that I ever believed that poetry would be a career. I have always thought of poems as something more private than professional... I would never introduce myself as a poet. I will always have some other thing that I am.
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With 'That Awkward Moment', you could argue I'm just playing the girlfriend of Zac Efron, but the director was such a creative force and let me make her my own. I loved being part of something that felt so relevant and fresh.
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Basically, there's not enough sex in movies, that's it. I'm trying to say it, people. I miss sex in movies because sex is natural, guns are not.
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As a writer, Chris Columbus was a big influence. 'The Goonies' was the first movie I ever saw that kids speak normally and not imagined how kids would talk. Always a big fan of Chris Columbus' dialogue and storytelling.
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I went to a very academic school, but I never really quite... I think because not that many people were particular creative or arty, I felt a little bit different.
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I love to feature children and young adults as real people - flawed, naive, virtuous, venal - but real. I think it adds nuance and depth to the stories that wouldn't exist without them.
