Warren MacKenzie Quotes
In working on a drawing or a painting, one can rework and rework and rework and change ideas until you get it the way you think is right at that time. With clay that's not possible. You either succeed the first time, or you should wad it up and start over again, because you can't mess around with the clay and still have it fresh.
Quotes to Explore
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But when ill indeed, Even dismissing the doctor don't always succeed.
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A painting in a museum hears more ridiculous opinions than anything else in the world.
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Life is painting a picture, not doing a sum.
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However careful a tramp may be to avoid places where there is abundant work, he cannot always succeed.
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I still get rejections - frequently - and my goal isn't to never fail, to never be turned down, but simply to succeed more often than I don't. And in order to do that, I have to constantly put myself out there, to judgment, critique, and rejection.
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Movie making is not like other art forms, like painting, or writing a novel, because that can be digested or interpreted... It takes two years to make each one of these, and it's always judged on money.
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I've always had a will to succeed, to win, however you phrase it.
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Cubanas are very strong women. So don't mess with us - don't take us for granted!
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Now, I love painting. I love looking. I love the fact that they don't move. They constantly change with the light. They are sort of patient.
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Together let us desire, conceive, and create the new structure of the future, which will embrace architecture and sculpture and painting in one unity and which will one day rise toward Heaven from the hands of a million workers like the crystal symbol of a new faith.
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Saint Ignatius was a convert and disciple of S. John the Evangelist. He was appointed by S. Peter to succeed Evodius in the see of Antioch, and he continued in his bishopric full forty years.
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I think every once in a while I feel the need to break my medium.. .if I have been doing a very large painting I like to drop into something in small scale. It is a challenge to go into this size. It is just to hold my own interest, and then each media has its own conditions.
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I am very bad at drawing. Seriously. I can draw shoes. That's about it.
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The drawing and the crafting of the story are fun, but it's the overall meaning that matters to me. It might escape some people who just want to read a comic, and that's fine. The overall meaning is what matters.
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If we get to the design sensitivity and make no detections, then there are a lot of things that will have to go back to the drawing board theoretically. If we fail, we're not expecting that the NSF will help bail it out somehow.
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I start with an idea in my head. I sketch it out quickly as a line drawing, using pencil. It never comes out quite right - usually a bit better than my mental picture.
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It's amazing how, in New York, there is almost a feeling of entitlement by the public - this very palpable lack of surprise at being stopped in the street and being asked to be the subject of a 12-foot monumental painting.
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I hardly need to abstract things, for each object is unreal enough already, so unreal that I can only make it real by means of painting.
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'The most perfect art was Greek art. Raphael is the greatest of all masters in painting'. Such were the doctrines of every art teacher only twenty or thirty years ago.
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I tend to always love material with flawed protagonists and morally ambiguous people.
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The Art of the Romance, though warning us that it is providing fictions, opens a door into the Palace of Absurdity, and when we have lightly stepped inside, slams it shut behind us.
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Then came the war, old sport. It was a great relief, and I tried very hard to die, but I seemed to bear an enchanted life.
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In working on a drawing or a painting, one can rework and rework and rework and change ideas until you get it the way you think is right at that time. With clay that's not possible. You either succeed the first time, or you should wad it up and start over again, because you can't mess around with the clay and still have it fresh.
