Warren MacKenzie Quotes
Bernard Leach was making pots which were duplicates of his drawing, and that was a difference of approach, which I think is quite critical to these two men Leach and Shoji Hamada.
Quotes to Explore
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We approach closer and closer to socialism.
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I think we Americans tend to put too high a price on unanimity, as if there were something dangerous and illegitimate about honest differences of opinion honestly expressed by honest men.
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The approach of death certainly concentrates the mind.
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We are all quick to point out all the differences but not as willing to accept what bonds us as humans.
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If someone is being absolutely critical of me as a driver, what could they say? I am also critical of myself to try and keep things in perspective. That is very important.
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America is not a melting pot. It is a sizzling cauldron.
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Between friends differences in taste or opinion are irritating in direct proportion to their triviality.
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Every cancer looks different. Every cancer has similarities to other cancers. And we're trying to milk those differences and similarities to do a better job of predicting how things are going to work out and making new drugs.
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I'm a big fan of hip-hop, so it reflects in my approach.
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And understand: class differences will not save you.
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My approach to acting is the 'let's pretend' school of acting.
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Have we become so celebrity-obsessed that there is no longer a difference between a character and an actor? I hope not.
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Time narrows or expands according to how we approach it. It varies with a man’s breadth, with his heart.
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First yoga deals with health, strength and conquest of the body. Next, it lifts the veil of difference between the body and the mind. Lastly, it leads the Sadhaka to peace and unalloyed purity.
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I believe that you can reach the point where there is no longer any difference between developing the habit of pretending to believe and developing the habit of believing.
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We need writers who know the difference between the production of a commodity and the practice of an art.
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[N]o one's ever been able to show me any difference between democracy and brute force. It's just a majority ganging up on a minority with the minority giving in to avoid getting massacred.
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It's understandable that people are keeping one eye on the pot and another up the chimney.
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My pots are not like Hans Coper's at all, but the idea came from seeing catalogue of his work, although at the time we knew Hans, his work was nothing like that.
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It started at one thirty on a cold Tuesday morning in January when Martin Turner, Street performer and, in his own words, apprentice gigolo, tripped over a body in front of the West Portico of St. Paul's at Covent Garden. Martin, who was none too sober himself, at first thought the body was that of one of the many celebrants who had chosen the Piazza as a convenient outdoor toilet and dormitory. Being a seasoned Londoner, Martin gave the body the "London once-over" - a quick glance to determine whether this was a drunk, a crazy or a human being in distress. The fact that it was entirely possible for someone to be all three simultaneously is why good-Samaritanism in London is considered an extreme sport - like BASE jumping or crocodile wrestling. Martin, noting the good quality coat and shoes, had just pegged the body as a drunk when he noticed that it was in fact missing its head.
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I think a lot of actors, especially actors with a theater background, have a musical ear. A lot of actors just want to be musicians anyway, and a lot of musicians want to be actors.
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Certainly, my manager Gary Ungar was the first person to give me any attention and hustle for me. This was back in 2009.
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Bernard Leach was making pots which were duplicates of his drawing, and that was a difference of approach, which I think is quite critical to these two men Leach and Shoji Hamada.
