Valerie June Quotes
When I talk about music in Memphis, it's a place you can go if you are a beginning artist or anywhere in your career, and you can incubate.
Quotes to Explore
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In my career, I'm always trying to do something different.
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I'm involved in music and fashion a lot more than I used to be, so my style has definitely changed - for the better, of course. It's given me greater insight into what colours work, what looks good on camera, and what I feel comfortable in.
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The idea of music is to liberate the listener and lead him to a frame where he feels he is elevated.
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I think, in the early years, my biggest influences would have been... Daft Punk was a huge one for me, I bought their main record when I was nine; at a young age, I was into music. The Prodigy, Gorillaz were big ones.
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The music comes through me, and I let it come the way it comes, and it shapes itself. I just hold space for it. I don't intend to write it for a purpose, but it comes as it comes and am proud of the way it can support change because I believe strongly in what I sing about.
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Deacon Jones has been the most inspirational person in my football career.
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I listen to crazy, robust rock music where they sing their faces off, and soul music, which can be similar.
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Growing up, Tina Turner was definitely one of my influences, and, um, I take things from different artists, and I put them in my music, and I put them in my persona and my - they help me form into the artist that I am, so - for people to actually hear that come through the music is exciting.
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If there's anything that would unite the world, it would be music.
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With Ghost Tunes, you just try to do what's right. And what's right is whatever the copyright owner wants to do with their music, they do it.
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Young kids should be doing music that has shock value. They'll grow out of it.
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Nowadays, you can be a fan of someone that's not an actor or artist. You can be a fan of someone that makes YouTube videos.
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No press, no television. If my mom calls and says, 'Did you hear about?' I don't want to know nothing about anything that is going on in relation to music. I shut it all off.
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The opera is to music what a bawdy house is to a cathedral.
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We've got a long career ahead of us and it's going to be great. Trust me.
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I don't think I'd ever make an album of just covers because I love writing my own music.
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The type of music we know as classical music began with rich people hiring musicians or owning them in a way. Without funding, it's very hard to have this experience. Be it state money or private money, there has to be someone dedicated to raising the money.
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I never had intention of coming to New York or L.A. and actually doing more than scraping by - you know, doing plays. And as my career sort of progressed of its own volition, I did come to New York.
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Usually, the music inspires the lyrics. The lyrics just sort of fall off like a bunch of crumbs from the melody. That's all I want them to be - crumbs. I don't want to work any kind of fabricated message.
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We've never been satisfied with just making 'me' music. What we're doing is trying to go to a place of some reverence.
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I play a Fender Jazzmaster and three stacks and a combo, two old Marshall Plexis and a Hiwatt combo and a Hiwatt combo with Marshall cabs.
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When someone is looking at me, I feel they are looking at someone standing behind me, not at me.
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It used to be that almost all innovation came from the U.S. and a small number of other developed countries. That's no longer the case, and as China and India grow, it's changing even more. Expect a lot more Chinese and Indian Nobel prizes in the future.
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When I talk about music in Memphis, it's a place you can go if you are a beginning artist or anywhere in your career, and you can incubate.
