William Gurstelle Quotes
In my workshop, I like to have the TV on for background noise, but I only put on shows that you don't really need to watch in serial order; stuff you can glance up every once in a while and still know what's going on; for example, Cops reruns, Jeopardy!, and Forensic Files.

Quotes to Explore
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I like to live in my own mind, regardless of everyone and everything, working out the intimate puzzles that are my stories and novels.
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I love to smell like roses, literally all day!
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It's like a bird. If he knew what he was doing, he would fall.
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The box office has become global. I think that factors in to the question of how to portray different ethnicities and cultures.
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It's funny because when I'm outside Australia, I never get to do my Australian accent in anything. It's always a Danish accent or an English accent or an American accent.
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If we hold the poverty thought, the penury thought, the thought of lack, we cannot demonstrate abundance. We must hold the plenty thought if we would reach plenty.
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Growing up in the time of Title IX - it was passed when I was 10 - I got a front-row seat to so many great moments in women's sports. Of course I didn't know it at the time.
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When I am writing a story it feels as real as the life I am experiencing off the page. It's an emotional illusion, I guess.
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I write songs about things that I'm simultaneously trying to not think about.
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If you want a strong society, it has to be inclusive. If you have to push a boulder up a hill, do you want 10 people or 100? If you weed out colour or gender, you get 10.
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We can all be more consistently involved in missionary work by replacing our fear with real faith.
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I like most kinds of music. So I haven't got a bag, as they say... except the big black one in the hall outside.
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Around Mik, my powers desert me. I lose basic motor function, like my brain focuses all neural activity on my lips and shifts into kiss preparedness mode way too early, to the detriment of things like speech, and walking.
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Music is at once the product of feeling and knowledge, for it requires from its disciples, composers and performers alike, not only talent and enthusiasm, but also that knowledge and perception which are the result of protracted study and reflection.
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Everything ends badly, otherwise it would not end.
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Writers talk about the agony of writing; I talk about the agony of not writing.
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To succeed, you must be able to concentrate, and to know what to concentrate on.
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... the poem reminds us of what we ourselves know, but did not know we knew; reminds us, above all, of what we are.