William Faulkner Quotes
Quotes to Explore
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I feel like if I live the Christian life, then the people should be able to see it in my everyday actions.
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It's fascinating to see actors who do voiceovers every day.
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If the spectrum linking everyday depression to Major Depression sometimes hinders understanding of it, it also offers an opportunity for empathy. Because almost everyone, at some point, experiences feelings of sadness, of hopelessness, of emptiness, not to mention lethargy and irritability.
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Because I find writing painful, I try to get it over with as fast as possible. But I write every day, or I lose the thread.
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I follow politics very closely. I read several newspapers every day.
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Individual warrants every day are used to arrest dangerous people.
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There are a lot of different facets to my personality that I don't use all the time in my house, or in everyday life, that I can experience and share when I'm on a stage.
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I get paid all day, every day, which is almost too much for a sensitive artist.
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I train for around 3-4 hours everyday. It can go up to 6-7 hours when a competition is approaching.
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I approach everyday personal beauty very naturally; I try to make it look like I'm not wearing makeup.
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I have been writing fairy tales for as long as I can remember. Not much has changed in terms of my natural attraction to the narrative techniques of fairy tales. My appreciation of them in the traditional stories has deepened, especially of flat and unadorned language, intuitive logic, abstraction, and everyday magic.
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My workout mantra is 'Break a sweat every day.' Even if it's just for 20 minutes. I'm very disciplined about that.
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We're in conversations with brands worldwide for a variety of artists every day.
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For my everyday look, I don't like going anywhere without eye makeup.
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I remember being at Greenblatt's on Sunset, and some guy just walked straight up to me, and he had some bling on and whatever, and said something about a party down in Malibu and asked if I would jump in his car and go to the party. All I could think was, 'Who are you? I don't know you, and I don't care about how good your car is.'
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We don't talk about courage much in our everyday conversations, but I am comfortable with it now.
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I try to write three jokes every day. I don't sit down and write them, it's just things that pop into my head. Then I'll go watch it fail onstage that night.
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Hell, I'm an old man. I'm 70 years old. I'm supposed to be sitting on a rocking chair watching the sunset.
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Even though it was January, in Los Angeles it was beautiful and sunny and the blue skies were out and it was hot everyday, so I think it was just a product of our environment. And California to me as a concept or as an idea always seems like endless optimism and endless opportunity - when people think of California they think of palm trees and blue skies and gorgeous sunsets and beaches and everything else. But there's also this weirdness to California, this darkness, it's a place where people come to follow their dreams and sometimes don't make it.
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I think a lot of my interest in history now isn't so much in places and names and texts and public figures, but more in examining all the nuances and idiosyncrasies of particular stories of everyday people. And if that doesn't happen, then I usually transplant myself and my own stories to a particular historical event. Which is why you'll see me, the first person pronoun, interacting in a song about Carl Sandburg, or you'll find my [sic] interacting with Saul Bellow. It's sort of a re-rendering of history and making it my own.
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I can never decide whether my dreams are the result of my thoughts, or my thoughts the result of my dreams.
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I'm at the age where I want two girls. In case I fall asleep they will have someone to talk to.
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The only reason for using another cut is to improve the scene.
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The scattered tea goes with the leaves and every day a sunset dies.
