William Faulkner Quotes
-
She was bored. She loved, had capacity to love, for love, to give and accept love. Only she tried twice and failed twice to find somebody not just strong enough to deserve it, earn it, match it, but even brave enough to accept it.
-
I've got to feel the pencil and see the words at the end of the pencil.
-
The aim of every artist is to arrest motion, which is life, by artificial means and hold it fixed so that a hundred years later, when a stranger looks at it, it moves again since it is life. Since man is mortal, the only immortality possible for him is to leave something behind him that is immortal since it will always move. This is the artist's way of scribbling "Kilroy was here" on the wall of the final and irrevocable oblivion through which he must someday pass.
-
The poets are wrong of course. But then poets are almost always wrong about facts. That's because they are not really interested in facts: only in truth: which is why the truth they speak is so true that even those who hate poets by simple and natural instinct are exalted and terrified by it.
-
A fellow is more afraid of the trouble he might have than he ever is of the trouble he's already got. He'll cling to trouble he's used to before he'll risk a change. Yes. A man will talk about how he'd like to escape from living folks. But it's the dead folks that do him the damage. It's the dead ones that lay quiet in one place and dont try to hold him, that he cant escape from.
-
You have to write badly in order to write well.
-
Only the peak feels so sound and stable that the beginning of the falling is hidden for a little while.
-
Man performs and engenders so much more than he can or should have to bear. That's how he finds that he can bear anything.
-
There are some things for which three words are three too many, and three thousand words that many words too less.
-
. . .in August in Mississippi there’s a few days somewhere about the middle of the month when suddenly there’s a foretaste of fall, it’s cool, there’s a lambence, a soft, a luminous quality to the light, as though it came not from just today but from back in the old classic times. It might have fauns and satyrs and the gods and---from Greece, from Olympus in it somewhere. It lasts just for a day or two, then it’s gone. . .the title reminded me of that time, of a luminosity older than our Christian civilization.
-
At one time I thought the most important thing was talent. I think now that the young man must possess or teach himself, training himself, in infinite patience, which is to try and to try until it comes right. He must train himself in ruthless intolerance-that is to throw away anything that is false no matter how much he might love that page or that paragraph. The most important thing is insight, that is to be-curiosity-to wonder, to mull, and to muse why it is that man does what he does, and if you have that, then I don't think the talent makes much difference, whether you've got it or not.
-
Caddy smelled like trees.
-
Our tragedy today is a general and universal physical fear so long sustained by now that we can even bear it. There are no longer problems of the spirit. There is only the question: When will I be blown up? Because of this, the young man or woman writing today has forgotten the problems of the human heart in conflict with itself which alone can make good writing because only that is worth writing about, worth the agony and the sweat. He must learn them again.
-
In a strange room you must empty yourself for sleep. And before you are emptied for sleep, what are you. And when you are emptied for sleep, what are you. And when you are emptied for sleep you are not. And when you are filled with sleep, you never were. I don't know what I am. I don't know if I am or not.
-
Always dream and shoot higher than you know you can do. Don't bother just to be better than your contemporaries or predecessors. Try to be better than yourself. An artist is a creature driven by demons. He don't know why they choose him and he's usually too busy to wonder why. He is completely amoral in that he will rob, borrow, beg, or steal from anybody and everybody to get the work done. The writer's only responsibility is to his art.
-
The only environment the artist needs is whatever peace, whatever solitude, and whatever pleasure he can get at not too high a cost.
-
It always takes a man that never made much at any thing to tell you how to run your business, though. Like these college professors without a whole pair of socks to his name, telling you how to make a million in ten years, and a woman that couldn't even get a husband can always tell you how to raise a family.
-
A bus station is where a bus stops. A train station is where a train stops. On my desk, I have a work station….
-
I learned little save that most of the deeds, good and bad both, incurring opprobrium or plaudits or reward either, within the scope of man's abilities, had already been performed and were to be learned about only from books.
-
A pair of jaybirds came up from nowhere, whirled up on the blast like gaudy scraps of cloth or paper and lodged in the mulberries, where they swung in raucous tilt and recover, screaming into the wind that ripped their harsh cries onward and away like scraps of paper or of cloth in turn.
-
She is like all the rest of them. Whether they are seventeen or fortyseven, when they finally come to surrender completely, it's going to be in words.
-
We shall not kill and maybe next time we even won't.
-
You can't. You just have to.
-
Clocks slay time... time is dead as long as it is being clicked off by little wheels; only when the clock stops does time come to life.