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For a woman, the typical danger emanating from the unconscious comes from above, from the 'spiritual' sphere personified by the animus, whereas for a man it comes from the chthonic realm of the 'world and woman,' i.e., the anima projected on to the world.
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For his the artist's life is, of necessity, full of conflicts, since two forces fight in him: the ordinary man with his justified claim for happiness, contentment, and guarantees for living on the one hand, and the ruthless creative passion on the other, which under certain conditions crushes all personal desires into the dust.
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The conscious mind allows itself to be trained like a parrot, but the unconscious does not - which is why St. Augustine thanked God for not making him responsible for his dreams.
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The whole nature of man presupposes woman, both physically and spiritually. His system is tuned into woman from the start, just as it is prepared for a quite definite world where there is water, light, air, salt, carbohydrates etc..
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Even if the whole world were to fall to pieces, the unity of the psyche would never be shattered. And the wider and more numerous the fissures on the surface, the more the unity is strengthened in the depths.
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The seat of faith, however, is not consciousness but spontaneous religious experience, which brings the individual's faith into immediate relation with God. Here we must ask: Have I any religious experience and immediate relation to God, and hence that certainty which will keep me, as an individual, from dissolving in the crowd?