Bill Jay Quotes
Quotes to Explore
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I worked a little as a messenger on a bicycle and then decided to study photography and film.
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There is no question that photography has played a major role in the environmental movement.
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I did photography, painting, and drawing, but I prefer sculpture. I like it because it's very physical.
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In the time between records, I always have lots of stuff going on. I shoot photography, make little sculptures, play video games.
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I'm constantly working on these edges of photography, either to employ so much information or reduce information to the point of collapse.
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I've been working almost 20 years, and I think I've worked with maybe one black director of photography in that time. Maybe two women directors or DPs. Maybe. And I've done a lot of TV. That's a lot of people I've worked with.
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'T.V. has made going to the theatre seem pointless, photography has pretty much killed painting but graffiti has remained gloriously unspoilt by progress.'
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I still maintain several different outlets of artistry, like my music, photography, writing and all those things. I don't pigeonhole myself into one thing. I do all sorts of things, and that's so important to me.
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Photography belongs to a fraternity of its own. I was young and enthusiastic and wanted to take good pictures to show the other photographers. That, and the professional pride of convincing an editor that I was the man to go somewhere, were the most important things to me.
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I would love to study photography.
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Truthfully, I don't really think of myself as a photographer. I don't have all the disciplines and knowledge of a person who's spent their life devoted to photography.
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I just love the world of photography.
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One advantage of photography is that it's visual and can transcend language.
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To me, photography is an art of observation. It's about finding something interesting in an ordinary place... I've found it has little to do with the things you see and everything to do with the way you see them.
Elliott Erwitt -
Photography is, by its nature, exploitative. It's whether you use this process with a sense of responsibility or not. I feel that I do so. My conscience is clear.
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In the '70s, in Britain, if you were going to do serious photography, you were obliged to work in black-and-white. Color was the palette of commercial photography and snapshot photography.
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When I found photography, I found this other kind of portraiture of black families and black people who were photographing themselves or having themselves photographed in ways they wanted to be seen.
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Becoming emancipated at 14, my life wasn't normal. I didn't have to go to school, so I didn't. I was rebellious by nature. I spent my 20s focusing on my company, Flower Films, and producing movies. Now that I'm almost 30, I would like to try other things in lie. I'm crazy about photography, and I want to take an art history class.
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I knew once a very covetous, sordid fellow, who used to say, 'Take care of the pence, for the pounds will take care of themselves.'
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I've certainly experienced physical pain in my life.
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I've learned over a period of years there are setbacks when you come up against the immovable object; sometimes the object doesn't move.
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...the subject, the thing itself, is the genesis of all types of photography.
