Bill Jay Quotes
Quotes to Explore
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I worked a little as a messenger on a bicycle and then decided to study photography and film.
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There is no question that photography has played a major role in the environmental movement.
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I did photography, painting, and drawing, but I prefer sculpture. I like it because it's very physical.
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In the time between records, I always have lots of stuff going on. I shoot photography, make little sculptures, play video games.
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I'm constantly working on these edges of photography, either to employ so much information or reduce information to the point of collapse.
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I've been working almost 20 years, and I think I've worked with maybe one black director of photography in that time. Maybe two women directors or DPs. Maybe. And I've done a lot of TV. That's a lot of people I've worked with.
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'T.V. has made going to the theatre seem pointless, photography has pretty much killed painting but graffiti has remained gloriously unspoilt by progress.'
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Photography belongs to a fraternity of its own. I was young and enthusiastic and wanted to take good pictures to show the other photographers. That, and the professional pride of convincing an editor that I was the man to go somewhere, were the most important things to me.
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Truthfully, I don't really think of myself as a photographer. I don't have all the disciplines and knowledge of a person who's spent their life devoted to photography.
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I just love the world of photography.
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One advantage of photography is that it's visual and can transcend language.
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To me, photography is an art of observation. It's about finding something interesting in an ordinary place... I've found it has little to do with the things you see and everything to do with the way you see them.
Elliott Erwitt
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Photography is, by its nature, exploitative. It's whether you use this process with a sense of responsibility or not. I feel that I do so. My conscience is clear.
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In the '70s, in Britain, if you were going to do serious photography, you were obliged to work in black-and-white. Color was the palette of commercial photography and snapshot photography.
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Becoming emancipated at 14, my life wasn't normal. I didn't have to go to school, so I didn't. I was rebellious by nature. I spent my 20s focusing on my company, Flower Films, and producing movies. Now that I'm almost 30, I would like to try other things in lie. I'm crazy about photography, and I want to take an art history class.
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If I had to start over, I'd pursue photography - probably to the exclusion of acting.
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What I love about photography, and it's the same thing I love about acting, really, is that it forces you, like, right into the moment, where you can't be distracted, where you can't be, like, thinking about other things or ahead of yourself or behind yourself.
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From Matthew Brady and the Civil War through, say, Robert Capa in World War II to people like Malcolm Brown and Tim Page in Vietnam. There was, seems to me, a kind of war-is-hell photography where the photographer is actually filming from life.
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I'm not very good in a classroom sort of setting. I never was. I was kind of a clown in high school - got suspended a lot.
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As an actor, you have to believe in the point of view of a director; as a director, you have to be able to express what your point of view is and invite everybody to join you on that journey. So it's always about opening up.
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Although I don't think love is quantitatively measured - in other words, I don't believe that you "don't know love until you have a child," that whole thing - I do believe it is qualitatively different.
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A picture's worth a thousand words? A library card's worth millions.
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...the subject, the thing itself, is the genesis of all types of photography.
