Yuichiro Miura Quotes
I never imagined I could make it to the top of Mount Everest at age 80. This is the world's best feeling, although I'm totally exhausted. Even at 80, I can still do quite well.
Quotes to Explore
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Sometimes you have to go up really high to understand how small you really are.
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I spend an extraordinary amount of time in my car, so I can justify the expense. That's the only extravagance in my life - it's my car.
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The use of slave women as day workers naturally broke up or made impossible the normal Negro home, and this and the slave code led to a development of which the South was really ashamed and which it often denied, and yet perfectly evident: the raising of slaves in the Border slave states for systematic sale on the commercialized cotton plantations.
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I have selective hearing.
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There are lots of people who haven't been to drama school who have great talent and can be discovered.
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If you're in a dark place, you're there for a reason. And the only way to get through to those kids or to other people going through the same thing is really to meet them in that dark place and then slowly bring them to the light.
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I like to do everything myself - I'm very hands-on with my housekeeping, my children, travelling, how I do things.
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I'm such a foodie, and I actually think I would rather lose my hearing than my taste.
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The student will try to defy the master. Always.
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I reach my readers regardless of what the critics have written.
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Without knowing about flexibility, one cannot work out strategies to deal with the enemy and prepare for changes, and without knowing about the foundation of one's own culture, one would be contemptuous of the Confucian ethical codes.
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But I used to have a bit of a gambling problem. And that would have been the answer to my prayers. It got worse when I started playing this character, too.
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Americans should be wary of the Muslim Brothers in Egypt but not scared of them.
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There was a time I desperately needed for the world to know that I was no category guy. My whole goal in life was to reach that certain success where people will say, 'Hey, that guy can do anything. He's the Evel Knievel of music. He's jumping over 15 buses!'
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We're living at a time where if you do a Google search for a 'show, review and network,' you'll get 'The New York Times' and Pete Billingsley from a town you've never heard of on the same results page. It's kind of democratizing the process so that everyone has access to a distribution system to express themselves.
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Everyone always says, 'When you look at a boy band, one of them has to be gay.' No, they don't.
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I found one had to do some work every day, even at midnight, because either you're professional or you're not.
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We have to believe in free-will. We've got no choice.
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I have a photograph at home of Fred Astaire from the knees down with his feet crossed. It's kind of inspiring because it reminds me his feet were bleeding at the end of rehearsals. Yet when you watch him, all you see is freedom. It's a reminder of what the job is about in general, not just being in musicals.
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In many ways, I think I'm still forming my ideas about my own identity in this world.
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Mental life is indeed practical through and through. It begins in practice and it ends in practice.
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I think if I weren't so squeamish, I would have been some sort of forensic analyst. And I can't do anything with a microscope, because then I start thinking about the world of germs around us.
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One of my most popular songs, 'Satellites,' I paid $300 for that beat on SoundClick.
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I never imagined I could make it to the top of Mount Everest at age 80. This is the world's best feeling, although I'm totally exhausted. Even at 80, I can still do quite well.
