Cherie Carter-Scott Quotes
Quotes to Explore
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Playing drums feels like coming home for me. Even during the White Stripes I thought: 'I'll do this for now, but I'm really a drummer.' That's what I'll put on my passport application.
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For the most part, I don't have a Facebook page; I don't Twitter.
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I'm the type of person, I have to study to get an A on the test.
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Sometimes I wonder where I am from. I am either way ahead or I come from another world. I don't recognise this world.
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I doubt there's any government in the world that guides itself primarily by strategy or conceptual documents or worldview. Anybody who has the reins of power has to look at practical limitations and tradeoffs - the fact that you can focus at most on one or two things at a time, that resources are limited.
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I'm constantly trying to keep people guessing as to what I'm doing, and I will spend enormous amounts of time looking at manuscripts and asking questions, and people will say, 'I know what his next book is about.'
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I think chemistry and great acting go hand-in-hand.
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If you know you are giving your best effort, you'll never have any reason for regrets.
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When I was a kid, I would make these incredibly bloody movies in my back yard. I was constantly making weird blood concoctions; Jell-O and milk was a good one. I was constantly ruining clothes and staining my parents' walls and stuff.
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I've always been a huge fan of Julia Roberts. Without her what would the world be like?
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Vera Caspary wrote thrillers - but not like any other author of her time, male or female. Her specialty was a specific type that she pioneered - the psycho thriller.
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There are a thousand ways to play any role.
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'Great Expectations' has become one of my favorite books.
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I think the concept of polo that people had in the 1920s and the 1930s was much more accurate, when going to a polo match was seen as a great day out and great fun on a more popular level.
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I've never seen a movement spread as fast as the fossil fuel divestment movement.
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I love to talk to children about making mistakes. It's important that I tell them about how I don't get it right the first time. We live in such a perfectionist society, and they see so many finished products and polished performances.
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The best revolutions are unplanned, and the most democratic are leaderless.
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I remember when I first met Jason Reitman with the 'Whiplash' script; he quickly became a mentor figure who guided me through the process and also protected me and made sure that when it came time to actually make 'Whiplash,' I was able to make exactly the movie I wanted to make.
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I was kind of excited about going to jail the first time and I learnt some great dialogue.
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The glory of the day was in her face,The beauty of the night was in her eyes.And over all her loveliness, the graceOf Morning blushing in the early skies.
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How you are perceived is over a continuum of time. So I just keep on working. I've kind of always seen that as the antidote. Just keep on working.
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One of the lyrics from Bono that always sticks with me is 'Where the Streets Have No Name.' Just the name of the song, that sort of oneness, and there isn't any division in yourself, and your just at peace and fired up at the same time.
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I ended up becoming so self-conscious that my songs stopped being about my life and started being about what people thought of my music. And that was really bad.
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Your life, in the end, is the sum total of how you spent your time.
