Karen Salmansohn Quotes
Your subconscious's goal is to recreate unresolved childhood issues and then hopefully mend them.
Quotes to Explore
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The first 'Monsters, Inc.' represents starting at Pixar for me, I have a special place in my heart for it. So to be able to tell a story with those ideas is an honor.
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The mark of all good art is not that the thing done is done exactly or finely, for machinery may do as much, but that it is worked out with the head and the workman's heart.
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When I was a little kid, I used to watch with my brother when there was Macho Man and Hulk Hogan. But then I fell out of it for a few years.
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Men are freest when they are most unconscious of freedom. The shout is a rattling of chains, always was.
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Jessica Lange was my biggest crush when I was a kid.
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If you believe that your thoughts originate inside your brain, do you also believe that television shows are made inside your television set?
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No one wanted to be my friend because of my lunchbox - because I never shared my lunchbox. One day the principal walked in and said, 'No one is friends with Karan Johar; who will be his friend?' My CEO today put his hand up there and said, he will.
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I'll admit, sometimes I've paid the bills with acting. You know the phrase, 'It's one for the money, two for the showreel.' I don't want that as a director. I don't want to compromise myself. There's a big old wide world out there. I want to explore it.
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There is an inevitable divergence between the world as it is and the world as men perceive it.
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The man who has perceived God looks upon all types of men as dream motion-picture images, made of the relativities of the light of Cosmic Consciousness and the shadows of delusion.
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Every single figure on Mount Rushmore was a third party at one time or another, so third parties become major parties, and I think that the Libertarian Party may become my major party.
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Of all presidential perks, the pardon power has a special significance. It is just the kind of authority that would attract the special attention of someone obsessed with himself and his own ability to influence events.
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By the time I was ten, everyone knew I wanted to be a producer. I was a very precocious little boy.
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The founders of a new colony, whatever Utopia of human virtue and happiness they might originally project, have invariably recognized it among their earliest practical necessities to allot a portion of the virgin soil as a cemetery, and another portion as the site of a prison.
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People aren't autonomous creatures. They're under a lot of pressure themselves.
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My father was a diplomat for part of his life and I jumped from country to country and culture to culture.
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My dad is often horrified by what I've spent my money on.
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I am not trying to make an image; I am an actor trying to sell movies.
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When I was a kid my primary goal in life was to find a book that was alive. Not alive in the human sense, but like a thing that would send me to a place not otherwise accessible on Earth. This book should have hidden words encrypted beneath the printed ones, so that if I worked hard enough and discovered the code I would somehow end up inside the book, or the book would take on a body and consume me, revealing a secret set of rooms behind the wall in my bedroom, for instance, inside which anything could be.
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When I shoot actors, I have that dilemma. I want the actor to be good, and sometimes I have to push them to a place that isn't pleasant. I always think: 'Is it worth doing for the sake of the movie?' But I have to remember the bigger picture.
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Your subconscious's goal is to recreate unresolved childhood issues and then hopefully mend them.
