Paul Tucker Quotes
When I’m writing I get it up as quickly as possible. I get the bass down and a drum sound, I don’t want to get bogged down in EQ. As long as it’s working and you’ve created a convincing illusion and the mood is coming to life then I’m happy with. That’s the writing stage.
Quotes to Explore
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Writing songs is an essential part of my life: my mother teaches piano, and I have inherited my grandparents' passion for music, especially from my grandfather Tommy, who was a great drummer. It's no coincidence that I play the drums best, but I am also good with the guitar and the piano.
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Attention may sound dull, but it is an essential aspect of consciousness. In fact, it governs what it is that we turn out to be conscious of, and therefore plays a part in the coming into being of whatever exists for us.
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Good writing is supposed to evoke sensation in the reader - not the fact that it is raining, but the feeling of being rained upon.
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I found it really hard for a couple of years to do any writing because all I wanted to do was play the fiddle. From the minute I took it up, I just couldn't put it down.
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I've had writing sessions with people, but I've never had one where you're just there, and you start making a song, and then it's too good to be true that something really cool will come out of this.
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After I left Texas and went to California, I had a hard time getting anyone to play anything that I was writing, so I had to end up playing them myself. And that's how I ended up just being a saxophone player.
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You need to get outside of your comfort zone to write songs that are interesting, songs that are compelling, songs that are different from what other people are writing.
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I always wanted to sound like a man, like Jeff Buckley or Tom Waits.
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It doesn't take a majority to make a rebellion; it takes only a few determined leaders and a sound cause.
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Local markets for literary fiction remain underdeveloped; the metropolis often holds out the only real possibility of a professional writing career.
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Television has raised writing to a new low.
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I got a job as an assistant film editor, which lasted for a few years, but I found writing incredibly difficult, and I thought, 'How am I going to make a film if I can't write?' I didn't really comprehend that someone else would do that bit.
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This may sound mad, but you sort of assume that no one's going to watch what you do. You go on set, have a lovely time, and then you forget anyone's going to see it. So it's always a bit of a shock to be recognized. I get terribly embarrassed.
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Early on, I knew I had ideas, but I wasn't sure when it was appropriate to bring them to the table, and I was so intimidated by these titans that I was working for. But it started around the time of 'Tron,' when I was really excited by the creative process and the prep that went into that. I spoke up often at those writing sessions.
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Because my writing time has always been very limited, I try to be very choosy about which stories I work on. There are many ideas that would make interesting stories - too many - so it's important to be ruthless and say no to most of them.
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Writing works when publications are writing and serving the best interest of their users; numbers are good yardstick but not a way to compensate a person.
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When you're writing first person, all I can see and tell as the author is what that main character can see.
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You won't see me in a better mood than 4:00 in the morning on my way to work.
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Prayer is either a sheer illusion or a personal contact between embryonic, incomplete persons (ourselves) and the utterly concrete Person.
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Writing a first novel was an arduous crash course. I learned so much in the six years it took me to write it, mostly technical things pertaining to craft.
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I couldn't be where I am today if I had children. My focus would be on my children and home. And you can do it later in life.
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We have a tendency to want the other person to be a finished product while we give ourselves the grace to evolve.
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I've always had this deep and chronic sense of dissatisfaction.
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When I’m writing I get it up as quickly as possible. I get the bass down and a drum sound, I don’t want to get bogged down in EQ. As long as it’s working and you’ve created a convincing illusion and the mood is coming to life then I’m happy with. That’s the writing stage.
