Chris Bradford Quotes
Quotes to Explore
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It's great when a director like Cameron Crowe can take what you do and fit it into what he's doing. If someone's a fan of you already, they can take what you do and make it work for what they're doing. You don't know their vision, and you're thinking, 'How is this guy going to take what I do and make it work in this movie?'
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Lesser artists borrow, great artists steal.
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As independent filmmakers, we are actually deeply dependent on each other. The Spirit Awards are a public expression of those bonds, the intricate set of relationships and histories that we filmmakers depend on to make our most personal work.
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Pain is the mind. It's the thoughts of the mind. Then I get rid of the thoughts, and I get in my witness, which is down in my spiritual heart. The witness that witnesses being. Then those particular thoughts that are painful - love them. I love them to death!
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I won't be happy until we have every boy in America between the ages of six and sixteen wearing a glove and swinging a bat.
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It's my dream, my goal to be good at Olympics, anywhere they are in the world.
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It was treacherous. I think someone was injured. But I did love being there, we all did.
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I think my characters with my fingers, I think my characters with my guts. But when I say I think them, that is what I do, I feel them with the sympathetic neurons and I work out with my brain what it is that I am trying to write about, or I can't do it.
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My life is so full of sacrifices.
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Evil is an attack against human spiritual development and enlightenment. All evil, badness, neurosis - it has one motive and one motive only, which is to destroy - to destroy your chance of arising above yourself.
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History develops, art stands still.
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Parallel to our vast strides in technology, there is a dangerous rise in unemployment, foreclosures, and degrading education. Millions of people are stricken with hopelessness and strife. Sadly, in the name of progress we have polluted the air, water, soil and the food we eat.
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The first song that I remember writing in its entirety was when I was 9 years old. I wrote it on a bus, on a field trip. It was called 'Mystery Man,' and in retrospect, it was the beginning of my exploration of what it was like to have a man in your life, because I didn't.
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This is where dreams-dreams, do you understand-come to life, come real. Not daydreams: dreams.
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At five minutes to eleven on the morning named he was at the station, a false beard and spectacles shielding his identity from the public eye. If you had asked him he would have said that he was a Scotch business man. As a matter of fact, he looked far more like a motor-car coming through a haystack.
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All my memories of being in Las Vegas with Bobby were great. Frank Sinatra brought us to the Sands Hotel in 1965. When we worked that lounge, it was a great lounge. I think it was bigger than the showroom. We were two 25-year-old dumb kids from Orange County in Las Vegas with The Rat Pack.
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A woman carries her clothes. But the shoe carries the woman.
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The difference with doing a play is that you are in control. In film you are in the hands of the director and the editor and the producer.
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My name, far more than it names me, reminds me of my name.
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Last year they came in and won the game; that's how I would define it. Revenge is never on our mind. What's on our mind is playing defense, rebounding, taking care of the ball, and running our transition game.
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Evolutionary psychology has often been a field whose most prominent practitioners get embroiled in controversy - witness the 2010 case of Harvard professor Marc Hauser, whose graduate students came forward to say he'd been faking evidence for years.
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Inventors and geniuses have almost always been looked on as no better than fools at the beginning of their career, and very frequently at the end of it also.
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Tomorrow’s victory is today’s practice.
