Aaron Taylor-Johnson Quotes
Quotes to Explore
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The role of designers and product makers is to really become much better editors. What kind of functionality is actually needed - and truly delightful - to consumers? Remove all the extraneous stuff.
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You get kind of bored being in catalogues all the time.
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I used to kind of go for it, right? Like, I'd be the one who would say, 'All right, there's Kate Moss. I'm going to try to make out with her.'
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I don't have a type. I don't have a specific kind of human being. It's just kind of an X-factor of sorts. Everybody I've ever dated has been a case-by-case situation.
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The Southern Ground warehouse is rocking and rolling in Atlanta, with a T-shirt shop and a leather shop; everything we're selling at our shows we're making or publishing ourselves.
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I want the kind of career where I can move back and forth.
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Death is the sanction of everything the story-teller can tell. He has borrowed his authority from death.
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A lie with a purpose is one of the worst kind, and the most profitable.
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I'm not the kind of director who aims to send a message out.
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San Francisco has long been a leader in the arts, nurturing generations of painters, sculptors, poets, novelists, playwrights, film-makers, and performing artists and innovators of every kind.
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I became kind of a drop-out in science after I came back to America. I wanted to photograph.
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I always try to describe making movies like summer camp, or some holiday where you spend all day, every day with a new group of people whom you kind of love and then never see again.
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Not everything has to be a couples' event.
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Everything Michael Jackson does on stage is exactly right.
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There's something about a humid, dusky evening that's kind of sexy.
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I hate violence, yes I do. It's kind of a dilemma, huh?.
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I never set out to write songs about the world around me... it just kind of came about as a result of paying more attention to things.
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I'm kind of a reluctant guru.
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I am not quite a poet but I am something of the kind.
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I'm happy that I'm finally getting some lines in my face. I always looked too young for the kind of roles I wanted. It was constraining. My face didn't fit my innards until I reached 40.
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The time was simply ripe for the disappearance of tonality. Naturally this was a fierce struggle; inhibitions of the most frightful kind had to be overcome, the panic fear, 'Is that possible, then?' So it came about that gradually a piece was written, firmly and consciously, that wasn't in a definite key any more.
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I want to be paid fairly for the work that I'm doing. That's what every single woman around the world wants. We want to be paid on parity with a man in a similar position.
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If you only get money, but you don't care about a thing, right or wrong, you cannot last. That cannot sustain you for the future.
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I'm not the kind of male who has to put my imprint on everything.
