Blue Balliett Quotes
Quotes to Explore
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In life, a lot of great ideas sound insane or absurd at first.
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One half who graduate from college never read another book.
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The creative process is not like a situation where you get struck by a single lightning bolt. You have ongoing discoveries, and there's ongoing creative revelations. Yes, it's really helpful to be marching toward a specific destination, but, along the way, you must allow yourself room for your ideas to blossom, take root, and grow.
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I never want to write a book just to tell a story. There is always something deeper going on.
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In the biographical novel, there's only one person involved. I, the author, spend two to five years becoming the main character. I do that so by the time you get to the bottom of Page 2 or 3, you forget your name, where you live, your profession and the year it is. You become the main character of the book. You live the book.
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You have to understand that while I pre-plot the meta story of a given book, I often have no idea of what will happen on the next page, let alone the next chapter. That's what makes it fun for me; I write the books the same way many people read them.
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It's easier to release an ebook than a print book.
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A novelist's lack of awareness of and critical distance to his own body of work is due to a phenomenon that I have noticed in myself and many others: as soon as it is written, every new book erases the last one, leaving me with the impression that I have forgotten it.
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A comprehensive marketing plan involves both online and offline efforts to use and broaden your existing platform to promote your book.
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Oh I'm a huge comic book movie fan.
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There was no Internet, not even many cookbooks except the old reference books. So we would sit down at night, a group of six chefs, and we'd exchange recipes and each talk about how we were doing things. It was the only way to learn new ideas.
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'Out' was my real breakthrough, the novel that became a hit in Japan and sold a lot of books, so it was sort of an obvious choice for being the first book to be translated into English.
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Every sketch goes through a rewrite stage where a group of writers sits around a table and pitches more jokes and ideas for the piece.
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I'm trying to convey to my audience that you really can't judge a book by its cover, and there's more to the universe than you can see with your eyes.
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Making art, good art, is always a struggle. It can make you happy when you pull it off. There's no better feeling. It's beauteous. But it's always about hard work and inspiration and sweat and good ideas.
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'Reinventing the Bazaar,' by John McMillan, is a great and fun introduction to the wild variety and importance of markets throughout history and around the world. I finally understood how a Middle Eastern souk actually works economically and how to compare that to modern-day telecom-spectrum auctions. I love that book.
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I don't perceive an audience at all when I write a book. It's pure self-indulgence.
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I'm a long distance runner, and I get my best ideas when I'm out running. It also helps that I can't write it down immediately - if you hold onto an idea, other things will stick on it.
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I'd like to see fashion slow down a bit. What freaks me out about fashion today is the speed - the speed of consuming, the speed of ideas. When fashion moves so fast, it takes away something I always loved, which is the idea that fashion should be slightly elusive. Hard to grasp, hard to find.
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While I was thinking about the next film to do, I was also reading this book by Diane Ackerman called 'The Natural History of the Senses' - an anthropological and sociological look at the senses. But it also has this great sense of enthusiasm.
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I've been writing in notebooks for 40 years or so.
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I am still very observant. I am absorbed by people and why they do what they do.
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Like all young men, you greatly exaggerate the difference between one young woman and another.
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Every book is a box of ideas.
