Bob Altemeyer Quotes
Quotes to Explore
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Put simply, the doctrine of 'Fair Use' applies to content republished from copyrightable material and how much of that content is, literally, fair to use.
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There are a lot of shows that have secrets and string people along and use the secrets of the narrative engine to keep people coming back every week. I don't know if those programs even have an answer. I don't know how they build their shows.
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I can't wait to start something up myself that is actually about giving unsigned bands the exposure they deserve, especially when they travel so far to play the smallest gig they've ever played in their lives.
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My hope is that shows like 'Fresh Off the Boat' open the door for even more of those kinds of characters for Asian actors and actresses.
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The importance of creativity in our country is greatly misunderstood.
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As I had collaborated with visual artists before whether on installations, on performance pieces, in the context of theatre works and as I had taught for a time in art colleges the idea of writing music in response to painting was not alien.
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I think the tricky balance, the most important thing more than the horror is to have a compelling story, compelling drama, a show about great characters that you care about and you want to come back every week to see what they're up to.
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Since I was 21, I have not been able to sleep past 9 A.M.; I just want to get up and do something.
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If anything can, it is memory that will save humanity.
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Nothing is harder than working with an actor who doesn't take it seriously or show up in the same way that you are.
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I would love to blog daily but I have not been making time for it because my internet is very slow. Everyone should make time for writing.
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I produced a play in New York that got nominated for an Outer Critics Circle Award for Best American Play.The play is called Stalking The Bogeyman. It was a story on This American Life, and my former roommate is the artistic director of the New York Repertory Theater. He heard the NPR show, contacted them, and essentially - shortest synopsis ever, like I'm the Cablevision guide button - it's the true story of a man stalking and plotting to kill the man who raped him when he was seven. It's by a brilliant reporter named David Holthouse.
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A happy ending cannot come in the middle of the story
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Music, somehow, breaks through, to everybody.
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I'm more interested in the psychic intricacies that they build up and try to run away from, and how they self-construct. A lot of my work is about self-construction. Here, it's those folks who are deeply wounded and bewildered. They're not just victims of trauma; they've been shaken so forcefully that they don't quite know how or where to stand.
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Nothing shows lack of conscience better than bold-faced lying.
