Nunnally Johnson Quotes
Quotes to Explore
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What other grown-up gets told how to do their job so often as a writer?
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Tell the truth.
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I get intrigued by a first lin and I write to find out why it means something to me. You make discoveries just the way the reader does, so you're simultaneously the writer and the reader.
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Film has to describe and show.
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If it wasn't for what goes on in the world of politics, we wouldn't really have much of a show.
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I've basically worked as a journalist and a writer.
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It's important that people come see our show, because we are performers. We wanted people to see that.
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Every writer uses his own way to motivate oneself.
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There's show and there's business. Business is a whole other beat.
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It's not about what you tell the reader, it's about what you conceal.
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I imagined being a famous writer would be like being like Jane Austen.
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When you've finished reading every last thing by a famous writer, literary convention holds that you move on to his or her letters, the DVD extras peddled by publishers.
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Man is least himself when he talks in his own person. Give him a mask, and he will tell you the truth.
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There are three things that make a person a writer: inspiration, perspiration and desperation.
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I'm not a great writer.
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I've always come into a show when the show was already up and running.
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If you look at somebody like Sam Bee, she got to create her own thing without any expectations that there was a show there. That was probably liberating for them.
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I'm a very conceptual writer.
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The real triumph of civilization is the extent to which coercion is banished from human relations.
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I like computers as a tool. I like them as an instrument. I think they're just pretty.
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Even before I was discovered in 1966, I used to make my own clothes. I learned how to sew early on, and it's still my passion now. I constantly have ideas in my head about clothes so jumped at the chance to do my own collection and am very hands-on. Everything I design, I wear and I love.
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I'm convinced that in a healthy society, artistic norms should be constantly under question which is not of course, to deny the need for continuity.
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A dramatic writer should never tell anything he can show.
