Robby Takac Quotes
I write about things that tear me apart, and it's all very personal to me. It's funny to hear people disassemble the lyrics. If they get it wrong, it almost means more to me, because it's morphed into something that is meaningful to them.
Quotes to Explore
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I just realized quite early on that I'm not going to be the type who can write a novel every two years. I think you need to feel an urgency about the act. Otherwise, when you read it, you feel no urgency, either. So I don't write unless I really feel I need to, and that's a luxury.
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I had a major bug for cities and for paintings and literature and all the things I thought went on in cities.
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I really tend to write in retrospect.
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When I write a movie, I write it for me.
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I would say 'The Master' was one of the most inspiring things I've ever got to work on.
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Every story I create, creates me. I write to create myself.
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My audience has really become a very diverse group of people. It's not just 15-year-old girls. That's kind of what allows me to write from all the different places I want to write from.
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There are some seminal things that happened in the '70s for me: Billy Joel and Jackson 5.
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People often write after they finish their career, or they don't play anymore, or they are not anymore active. So I say, why do that? And let's do it differently.
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Simply, there are many things I would like to do.
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Instead of writing songs for girls, I tend to write albums, which I guess is a bit weird.
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I love to personalize things. I love to make things my own. I like to name everything - from cars to iPhones to the socks I just lost.
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I've done a lot of things that I regret.
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I was a hired drummer for 3 Doors; there wasn't an opportunity for me to write.
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I don't think of myself as Scottish or lesbian when I sit down and write. I am glad I have broken out of that limited audience.
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'The One-Eyed Man' is a novel that was one I never intended to write.
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I don't write constantly; it's two serials and a novel a year.
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My students often ask me, 'What is sociology?' And I tell them, 'It's the study of the way in which human beings are shaped by things that they don't see.'
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I enjoy being an actor largely; in part at least, because you get to walk a mile in another person's shoes, you get to see what their skin is like. The other good thing is you get to leave it.
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If brands can find a voice that matches them, and the artist embraces it, they can find a way that would serve them that doesn't feel like a sellout to the artists and has dramatic impact for the brand.
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He says-him as was here just now-'When Tom shut up the house, mate, to go to rack, the beds was left, all made, like as if somebody was a-going to sleep in every bed. And if you was to walk through the bedrooms now, you'd see the ragged mouldy bedclothes a heaving and a heaving like seas. And a heaving and a heaving with what?' he says. 'Why, with the rats under 'em.'
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The loneliest Chinese man I ever met lived halfway up the Three Gorges, in Sichuan Province.
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Old men are like that, you know. It makes them feel important to think they are in love with somebody.
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I write about things that tear me apart, and it's all very personal to me. It's funny to hear people disassemble the lyrics. If they get it wrong, it almost means more to me, because it's morphed into something that is meaningful to them.
