Christophe Lemaitre Quotes
It's very difficult to do street casting with girls, because a beautiful girl in real life won't necessarily have the silhouette or the presence needed for a show.
Quotes to Explore
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I love dogs, but dogs, you have to be in the country with dogs. I cannot walk a dog on the street.
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If it wasn't for what goes on in the world of politics, we wouldn't really have much of a show.
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What's funny in 'The Mayor of MacDougal Street' is how Dave Van Ronk talks a lot about the time and how exciting it was and how electric it was.
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I did my first show in second grade. I was a munchkin in 'The Wizard of Oz.'
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All roads lead to Wall Street, but we feel the effects of Wall Street on every street corner. Certainly in Syracuse, N.Y., where I live.
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Oil futures were originally created to give heating oil dealers, gas retailers, aviation companies and other businesses a method of hedging against adverse price changes. Instead, they've become just another Wall Street plaything.
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When I appeared in 'Coronation Street,' I lived in Manchester and enjoyed it very much.
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In the house in Beverly Hills where our four children grew up, living conditions were a few thousand times improved over the old tenement on New York's East 93rd Street we Marx Brothers called home.
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If I had been told to get out of the street as a teenager, there would have been a distinct possibility that I might have smarted off. But, I wouldn't have expected to be shot.
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If somebody smiles at me on the street, I'm like, 'Hi, have a nice day!'
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Guys understand a waistline. They understand a silhouette.
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My biggest advice for girls – and this is something that I wish I could have known when I was younger – is to have thick skin. It's something that you definitely develop when you get older, but when I first started, I was so obsessed with pleasing everybody. I wanted everybody to like me and to like my songs.
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If you look at somebody like Sam Bee, she got to create her own thing without any expectations that there was a show there. That was probably liberating for them.
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When I'm away from the field, I show a little more emotion and stuff.
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The main event isn't bitcoin. It's using the blockchain to disrupt other industries and Wall Street.
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There is no reason for me to show my collection in New York, because it's not about craft and technique there.
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I love watching old sitcoms. It's very inspiring to watch 'Mary Tyler Moore' and 'Golden Girls.' I have watched them over and over again for years.
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I am drawn to those parts; I like the tough girls because they are not tough. It's a veil; it's a disguise. It's defenses. At the core, everybody is human, everybody is fragile, everybody is terrified, and the fear is what propels you to be tough.
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What other grown-up gets told how to do their job so often as a writer?
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Soap operas are like boot camps for film actors, so I really learned a lot. It was a masterclass in working for camera. I made myself watch myself every day. I would sort of try and be objective about it and critique myself a little. There's a lot more skill set than people realize in soap operas. They shoot, like, 35 scenes a day.
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All of life presents itself as a cycle of cause and effect. When this cycle is negative, there are three ways to change. You can change the cause, change the effect, or choose the most powerful option become the cause!
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It's very difficult to do street casting with girls, because a beautiful girl in real life won't necessarily have the silhouette or the presence needed for a show.
