Christopher Meledandri Quotes
Where I think that 3D will fall apart is going to be as audiences now get treated to incredibly artistic utilizations of space. I think the films that are just sort of done as 3D transfer type films, the audience will perceive the difference in that.
Quotes to Explore
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I did a sitcom with Desi Arnaz Jr. in a pilot called 'Whacked Out.' We were bombing, and Lucille Ball grabbed the mic and started berating the audience.
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When you're still, and some actors are really brilliant at that, you bring a kind of energy to you as opposed to sending the energy out. There are some actors, like Gary Cooper or Kevin Spacey, that are absolutely brilliant - Gene Hackman is another - at being and allowing the audience to just do the work.
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The entertainment medium of film is particularly tuned to the present imaginations of people at large. A lot of fiction is intensely nostalgic.
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That's what film can do in a way that TV and other long-form storytelling can't. It gives you this very immersive moment.
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I have to grow with my audience.
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Our feature film, 'Crouching Tiger, Hidden Dragon Two,' has a built-in fan base from the original film.
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You as an audience can look at these things as films, but I remember them as social experiences.
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My ultimate aim would be to captivate an audience, even just for a second.
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It would be great to make a movie that had the style of a great '30's film.
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I don't have a director. The audience directs me.
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Artistic development made me who I am. Somebody took the time to help me find what it is that works for me as an entertainer and who I am as a music maker.
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When we tune in to an especially human way of viewing the landscape powerfully, it resonates with an audience.
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The 1910 Edison film of 'Frankenstein' was itself a dead thing revived by technology.
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All my brother Eliot and I did as kids was film sketches.
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My name can raise money on a small-budget film.
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Between friends differences in taste or opinion are irritating in direct proportion to their triviality.
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When you're struggling to get a feature film off the ground, there's no big overarching tenure plan or anything like that.
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Every cancer looks different. Every cancer has similarities to other cancers. And we're trying to milk those differences and similarities to do a better job of predicting how things are going to work out and making new drugs.
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If anyone has the opportunity to work with that woman, jump at it. She is the most generous, most giving director I have ever worked with in my entire life. She is classy. She speaks a dozen difference languages.
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We actually went public partly because we wanted companies to realise we were not going away.
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Everything becomes agitated. Ideas quick-march into motion like battalions of a grand army to its legendary fighting ground, and the battle rages. Memories charge in, bright flags on high; the cavalry of metaphor deploys with a magnificent gallop; the artillery of logic rushes up with clattering wagons and cartridges; on imagination's orders, sharpshooters sight and fire; forms and shapes and characters rear up; the paper is spread with ink - for the nightly labor begins and ends with torrents of this black water, as a battle opens and concludes with black powder.
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Putting off a hard thing makes it impossible.
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Where I think that 3D will fall apart is going to be as audiences now get treated to incredibly artistic utilizations of space. I think the films that are just sort of done as 3D transfer type films, the audience will perceive the difference in that.
