Christopher Meledandri Quotes
We have a process that continually looks back to him for guidance, but it also combines that with a tremendous amount of discovery and invention, as well, because of the demands of the medium and the opportunities of the medium.
Quotes to Explore
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I would love to be a role model.
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I think just being on 'One Tree Hill' has given me a lot of confidence.
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I haven't reported my missing credit card to the police because whoever stole it is spending less than my wife.
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I live in England, so I take a lot of trains, and you can't really go anywhere without somebody talking on their mobile phone behind you, forcing you to listen to their conversation. With the Internet, with texting, with networking sites, there's already information everywhere.
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I can't solve the poverty problem, but there are things you can do to mitigate its effects on kids.
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For 'Rosa Luxemburg,' I read everything by and about her, but the first time I was stuck in that corset, I got an understanding of her that I'd never had before.
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I'd like to write the way Matisse paints.
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When I was 50 years old, I actually decided to draw up a list of half a dozen things that I really hadn't done very well, and I was going to make efforts to improve. One of them was skiing, and I really did become a very much better skier.
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If this whole acting thing doesn't work out, I'll just get a talk show.
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There is a probably natural and learned reticence with myself talking about my early life.
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Because I do not hope to turn again Because I do not hope Because I do not hope to turn Desiring this man's gift and that man's scope I no longer strive to strive towards such things (Why should the agèd eagle stretch its wings?) Why should I mourn The vanished power of the usual reign?
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Anything that we can destroy, but are unable to make is, in a sense, sacred, and all our 'explanations' of it do not explain anything.
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'Democracy is premised, in some measure, on majority rule, and democracy is difficult in a situation of concentrated inequalities in which a large, impoverished majority confronts a small, wealthy oligarchy.'
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Well, this man the T.V. interviewer of Jasper Johns, wanted to know why I stopped painting the so-called famous 'Silence of Duchamp'.. ..and he had said it was because of dealers and money and various reasons. Largely moralistic reasons.. ..But you know; it wasn’t like that. It’s like you break a leg; you don't mean to do it.
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My mother and Ethel Kennedy became good friends and worked together on a number of causes they had shared with their husbands. They together co-chaired 'A Time to Remember' to mobilize a movement for gun control.
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I like new challenges.
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I have to say that I thought search-and-rescue duties over Snowdonia were physically and mentally demanding, but looking after a 3-week-old baby is up there!
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'Who are we?' And to me that's the essential question that's always been in science fiction. A lot of science fiction stories are - at their very best - evocations of that question. When we look up at the night sky and wonder, 'Is there anyone else out there?' we're also asking who we are we in relation to them.
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I look at problems as opportunities and use every person, every incident, and every encounter as an opportunity to show a more loving part of myself.
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My grandmother though, began to prepare in her own neurotic - and I think psychotic - way to face racism. So she taught us to be racist, which is something I had to undo later when I got to Michigan, you know.
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There's no guarantee that the United States will be around 200 years from now.
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I am weary of personal worrying, in love with the art of madness.
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People are odd creations, this is my theme.
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We have a process that continually looks back to him for guidance, but it also combines that with a tremendous amount of discovery and invention, as well, because of the demands of the medium and the opportunities of the medium.
