Gabriel Garcia Marquez Quotes
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Then the writing became so fluid that I sometimes felt as if I were writing for the sheer pleasure of telling a story, which may be the human condition that most resembles levitation.
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Aureliano not only understood by then, he also lived his brother’s experiences as something of his own, for on one occasion when the latter was explaining in great detail the mechanism of love, he interrupted him to ask: “What does it feel like?” José Arcadio gave an immediate reply: “It’s like an earthquake.
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The anxiety of falling in love could not find repose except in bed.
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The woman let out an expansive laugh that resounded through the house like a spray of broken glass.
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Never stop smiling not even when you're sad, someone might fall in love with your smile.
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In the end all books are written for your friends. The problem after writing One Hundred Years of Solitude was that now I no longer know whom of the millions of readers I am writing for; this upsets and inhibits me. It's like a million eyes are looking at you and you don't really know what they think.
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Nobody teaches life anything.
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One can be in love with several people at the same time, feel the sorrow with each, and not betray any of them.
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Blood circulated through her veins with the fluidity of a song that branched off into the most hidden areas of her body and returned to her heart, purified by love.
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Together they had overcome the daily incomprehension, the instantaneous hatred, the reciprocal nastiness, and fabulous flashes of glory in the conjugal conspiracy. It was time when they both loved each other best, without hurry or excess, when both were most conscious of and grateful for their incredible victories over adversity. Life would still present them with other moral trials, of course, but that no longer mattered: they were on the other shore.
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It's enough for me to be sure that you and I exist at this moment.
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For you was I born, for you do I have life, for you will I die, for you am I now dying.
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Thinking that it would console him, she took a piece of charcoal and erased the innumerable loves that he still owed her for, and she voluntarily brought up her own most solitary sadnesses so as not to leave him alone in his weeping.
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She was lost in her longing to understand.
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She felt so old, so worn out, so far away from the best moments of her life that she even yearned for those that she remembered as the worst… Her heart of compressed ash, which had resisted the most telling blows of daily reality without strain, fell apart with the first waves of nostalgia. The need to feel sad was becoming a vice as the years eroded her. She became human in her solitude.
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Just imagine, a cow on the balcony of the nation, what an awful thing, what a shitty country.
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Surrealism comes from the reality of Latin America.
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His place was always set at the table, in case he returned from the dead without warning .
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He was still too young to know that the heart's memory eliminates the bad and magnifies the good, and that thanks to this artifice we manage to endure the burden of the past.
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Caribbean reality resembles the wildest imagination.
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All my life, I've been frightened at the moment I sit down to write.
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The house became full of love. Aureliano expressed it in poetry that had no beginning and no end. He would write it on the harsh pieces of parchment that Melquiades gave him, on the bathroom walls, on the skin of his arms, and in all of it Remedios would appear transfigured: Remedios in the soporific air of two in the afternoon, Remedios in the soft breath of the roses, Remedios in the water-clock secrets of the moths, Remedios in the steaming morning bread, Remedios everywhere and Remedios forever.
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Jealousy knows more than truth does.
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Both described at the same time how it was always March there and always Monday, and then they understood that José Arcadio Buendía was not as crazy as the family said, but that he was the only one who had enough lucidity to sense the truth of the fact that time also stumbled and had accidents and could therefore splinter and leave an eternalized fragment in a room.