Chuck Nevitt Quotes
Quotes to Explore
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I put everything I think is sexy into my shoes.
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I don't believe in societal restrictions. It wasn't a choice - conformity simply never occurred to me.
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I think female solitude is a mental condition as well as a physical state. You can be married and a spinster. I think spinster is an identity every woman can claim, if she will... I feel like a lot of women, or a lot of feminists, joke about taking to the sea or living alone in a cottage as this kind of fun freedom.
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One can never produce anything as terrible and impressive as one can awesomely hint about.
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I'm a single child. I wanted a little brother or a little sister growing up, but when I think about it, I'm happy I'm an only child.
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Switzerland is a place where they don't like to fight, so they get people to do their fighting for them while they ski and eat chocolate.
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DURING the first years of my service in Dr. Flint's family, I was accustomed to share some indulgences with the children of my mistress.
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I think it is perfectly natural for any artist to admire intensely and love a young man. It is an incident in the life of almost every artist.
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He who controls others may be powerful, but he who has mastered himself is mightier still.
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I don't have friends, and it's hard for me to make new friends. Right now, the people that are in my life are the people that I work with.
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All our work, our whole life is a matter of semantics, because words are the tools with which we work, the material out of which laws are made, out of which the Constitution was written. Everything depends on our understanding of them.
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Music expresses that which cannot be said and on which it is impossible to be silent.
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I said, 'I'm going to the United States to study with Stella Adler and do movies because nobody here has done it and my passion is films.' But I came here and I didn't speak English, I didn't have a green card, I didn't know I had to have an agent, I couldn't drive, I was dyslexic.
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Madam President, speaking here in Dublin Castle it is impossible to ignore the weight of history, as it was yesterday when you and I laid wreaths at the Garden of Remembrance.
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The role of my agent has just been to get me in the room. If I can get in the room - say the character is just a charming man who lives next door - then I'll walk in there and be as charming as I can and they will think to themselves, 'I don't see why we can't cast him.'
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I am doing it the it I am doing is the I that is doing it the I that is doing it is the it I am doing it is doing the I that am doing it I am being done by the it I am doing it is doing it
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In Cuba I have always understood harsh treatment of dissenting voices as stemming from a 'siege situation' imposed upon it from outside. And I believe that to a certain extent that is true.
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What I couldn't help noticing was that I learned more about the novel in a morning by trying to write a page of one than I'd learned in seven years or so of trying to write criticism.
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I literally worked from the bottom up to where I am now.
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My main problem with fiction is that once my characters get moving, you just have to follow them along and get out of the way of the story, but sometimes they pull me in too many directions, and I need to focus.
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It's funny because before I joined the cast of 'Heroes,' I was an insomniac. I have suffered from insomnia for, like, so long. Now that I'm on the show, seriously - I sleep like a baby. I'm so tired all the time.
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I saw Baby Spice and insisted on talking to her. I tapped her on the shoulder and stood there like a lemon. I wanted to tell her how brilliant she was. Instead I said something like, 'Great woman!' It wasn't my finest moment.
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My sister's expecting a baby, and I don't know if I'm going to be an uncle or an aunt.
