Cody Johnson (Cody Glenn Johnson III) Quotes
When you're in a room with a guy who has a vision like that, it's just one of those things where you close your eyes and just see that vision - then you just go with it. The guys that I write with are so incredible, just like my producer Trent Willmon, those guys know how to bring things out of me - especially things that I maybe didn't even know that I had.
Quotes to Explore
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Try imagining James Joyce not writing about being a Catholic.
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I haven't been drinking for years now. Something's got to give. I don't mind that I'm a guy that's stopped drinking, though this interview is making me mighty thirsty.
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I have yet to see a piece of writing, political or non-political, that doesn't have a slant. All writing slants the way a writer leans, and no man is born perpendicular, although many men are born upright.
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There's something really unique about 'Orphan Black' is that it has a lot of female leads, so it's about a lot of women's stories, but it's not women's stories in terms of trying to find a guy or keep a guy; it's about entirely other things.
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I have no interest in writing, directing or producing.
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I'm not sure how to describe my style. A lot of my work is dark and looks a bit sad, which is strange because I'm such a smiley, over-the-top positive guy who wears gold shoes most days.
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Instead of writing songs for girls, I tend to write albums, which I guess is a bit weird.
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When I first start writing a song, I usually write the title first, then the song, and I'll sing the song in my head and think of a visual of the song. If I can't think of a visual behind the song, I'll throw the song away.
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I always used to deny this, but I guess what I'm really saying is that I was writing to shock... And I dug deep and dredged up all kinds of vile things which fascinated me at the time.
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Nobody's going to write a book about me, because nobody's going to find anything worth writing a book about.
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Although I enjoyed writing Film Music it was always a means to an end, in that it enabled me to keep a wife and family and write my classical music, which has always been my passion.
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I probably prefer comedy. Why? I'm not sure. I feel like the energy of a comedy is a better fit for me. I try to be a happy guy! It seems that most of my life has the energy more for a comedy than for drama. I'm grateful to do both, but I would have to lean towards the comedy side of acting.
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After I left Texas and went to California, I had a hard time getting anyone to play anything that I was writing, so I had to end up playing them myself. And that's how I ended up just being a saxophone player.
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I can be intense in a lot of ways, but not the way you see the guy in 'The Salvation.'
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A number of bloggers in economics and the financial sector have risen to prominence through the sheer strength of their work. Note it was not their family connections nor ties to Ivy League schools or elite banks, but rather the strength of their research, analysis and writing.
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I don't necessarily set out to teach or say anything in particular in my writing. Morals and themes come out as I'm telling the tale.
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Train the body and develop stamina and endurance. But the spirit of competition and power that presides over them is not good, it reflects a distorted vision of life. The root of the martial arts is not there.
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An artist must pass judgment only on what he understands; his range is limited as that of any other specialist—that's what I keep repeating and insisting upon. Anyone who says that the artist's field is all answers and no questions has never done any writing or had any dealings with imagery. An artist observes, selects, guesses and synthesizes.
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When you're writing theology, you have to say everything all the time, otherwise people think you've deliberately missed something out.
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If freedom is a requisite for human happiness, then all that’s necessary is to provide the illusion of freedom.
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Do people absolutely need the arts to get by day-to-day? You can make that claim, but they also really need a lot of things before that.
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I listen to boy band music before I have to fire someone.
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Nelson McCormack on 'Killing Kennedy' was really terrific because I wrote the script, and he had some terrific ideas. We went over the script together, and I was with him on set. So it was a collaborative effort.
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When you're in a room with a guy who has a vision like that, it's just one of those things where you close your eyes and just see that vision - then you just go with it. The guys that I write with are so incredible, just like my producer Trent Willmon, those guys know how to bring things out of me - especially things that I maybe didn't even know that I had.
