Conn Iggulden Quotes
Quotes to Explore
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I am now writing a book called 'Far Enough,' very loosely based on my childhood. This is difficult because it forces me to remember people I loved who are gone.
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I tend not to wear ties very often. I'm usually in old stuff: Hermes or Marc Jacobs boots and jeans and a T-shirt and a leather jacket or a jean jacket.
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There was a point where I really felt I had 'penniless divorcee lone parent' tattooed on my head.
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I think I've been really good at surrounding myself with really talented people. I've picked the right coattails to ride on.
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I felt giving birth was the most creative act of all my creative acts - literally creation!
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I don't want to be competing in a sport where I feel that I'm here not on my talent and my hard work but because of a piece of equipment.
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I'm down for adventure and up for anything.
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As a culture, working-class white Americans like myself had no heroes. We loved the military but had no George S. Patton figure in the modern army. I doubt my neighbours could even name a high-ranking military officer.
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Let the ruling classes tremble at a communist revolution. The proletarians have nothing to lose but their chains. They have a world to win. Workingmen of all countries, unite!
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I like to see the difference between good and evil as kind of like the foul line at a baseball game. It's very thin, it's made of something very flimsy like lime, and if you cross it, it really starts to blur where fair becomes foul and foul becomes fair.
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Human life is everywhere a state in which much is to be endured, and little to be enjoyed.
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My music is a personal thing, and I feel like if I talk too much about the songs, or if there's too much of my personal life out there, it ruins it.
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In today's world, it is no longer unimaginable to think that business can operate - and even thrive - in an environmentally-friendly manner.
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When I was younger, I used to pray that I would die before my mom. That's just how much my mom meant to me. I couldn't imagine being in this world without her. But then seeing cancer - seeing what it can do to somebody - as strong and as tough as she was, there was nothing she could do. Cancer is a dirty, dirty deal.
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I travel like a gypsy, and I didn't know how I could perform and be a mother.
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I learned from different guys I played with, too. The key was probably three people: The good Lord, the offensive linemen I played with and great fullbacks that could block very well.
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I consider myself more a European director who is from Iceland than an Icelandic director.
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And then we watched an amazing number of movies from the late '60s and '70s, which is my favorite time, and we studied their camera movements, their stocks, the way they lit stuff, the colors they used.
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I realized there was racism because people thought, 'Oh, if you like roll 'n' roll, that makes you like a white kid.'
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We all, as engineers, doctors, have a big responsibility to bring smiles on the faces of suffering humanity.
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People from the most horrendous of childhoods can have good lives, but it comes down to a very seemingly simple word. 'Choice.'
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But a myth, to speak plainly, to me is like a menu in a fancy French restaurant: glamorous, complicated camouflage for a fact you wouldn't otherwise swallow, like maybe lima beans.
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Mother's love is unusual and complicated, unresolved to reason.
