Constantine Manos Quotes
The flow of people in a setting, their changing relationships to each other and their environment, and their constantly changing expressions and movements - all combine to create dynamic situations that provide the photographer with limitless choices of when to push the button. By choosing a precise intersection between subject and time, he may transform the ordinary into the extraordinary and the real into the surreal.
Quotes to Explore
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I don't ever have the pressure of making a hit, because I've never had a hit song, per se. The closest thing to a hit song was 'Shiraz,' and it's not your prototypical hit song, with a catchy hook and all this other stuff.
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I began both auditioning with Pearl Jam and recording for Eleven. In the fall of 1994, I joined Pearl Jam.
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Men do not value a good deed unless it brings a reward.
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You know, I've sold a lot of bad movies in my time.
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There's so much hate that we direct externally that we forget we have our own psychos. But that's the role of the satirist - you have to examine your own country and say, 'look!'
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I like freedom. I wake up in the morning and say, 'I don't know, should I have a popsicle or a donut?' You know, who knows?
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I think people think of me as this elegant person because they always see me dressed up.
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When I was singing, everybody liked me.
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I am actually a bit chubby, and I eat everything. I eat in a way - if my parents fed me the way I choose to eat as an adult, they would've lost custody.
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People said when I started, 'Why don't you just copy your father's style?' I had to be myself, singing my songs in my own way.
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Nowadays, the truth is, I think a lot of the newer generation of action stars usually are pretty self-deprecating and cool. I mean, Dwayne Johnson is a great example.
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My physical transformations - like changing my hair - are usually a reflection of what's inspiring me at the moment.
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I was no Marie Antoinette. I was not born to nobility, but I had a human right to nobility.
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My father taught me that one of the most important abilities in life is to be able to take the pain and persevere, and for years this lesson had served me well.
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And who (in time) knows whither we may ventThe treasure of our tongue? To what strange shoresThis gain of our best glory shall be sentT' enrich unknowing nations with our stores?What worlds in the yet unformed OccidentMay come refin'd with th' accents that are ours?
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I always feel I have to take a stand,And there's always someone on handTo hate me for standing there.I always feel I have to open my mouth,And every time I do, I offend someone, somewhere.
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As for me, I am mean: that means that I need the suffering of others to exist. A flame. A flame in their hearts. When I am all alone, I am extinguished.
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It's rough being a teenager in this day and age.
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Playing live is great, but it's not a creative thing, really. It's a reproductive thing.
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At the end of the day, we all know what the Jordan logo means, and you can't take anything away from that. But it's pretty cool to have my own logo on a Jordan shoe.
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The only two shows I watch are 'Walking Dead' and 'Nashville,' but both just went off the air for a couple of months, so I feel like I have to be productive because I'm not sitting around waiting for the next episode of zombies or mainstream country music.
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French culture takes ageing very seriously. There's much less ageism than in Anglo-Saxon countries.
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I want to keep doing projects that speak for people within the community and tell different types of meaningful stories.
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The flow of people in a setting, their changing relationships to each other and their environment, and their constantly changing expressions and movements - all combine to create dynamic situations that provide the photographer with limitless choices of when to push the button. By choosing a precise intersection between subject and time, he may transform the ordinary into the extraordinary and the real into the surreal.
