Craig Seymour Quotes
In writing the book I wanted to make it very clear that I feel prostitution should be decriminalized. But some people might have breezed by those aspects that others took the time to notice. In All I Could Bare, I hope I relate in a conversational way how stripping is a lot like other types of work.
Quotes to Explore
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Once you research an idea, you begin to develop a perspective. Writing about anything in public, often in real time, has helped fashion my views.
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The problem with writing a monthly book is that you're going through your work like a man running for a bus, red-faced and out of breath. There isn't time for reflection or critical self-examination.
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It takes me a long time to write, and I trust myself, so I write very sparsely, so when I do, I know it's good, you know what I mean? Rather than writing a whole bunch and having to sort out what's good and what's not.
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Good writing excites me, and makes life worth living.
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I like to think that I'm one of the few people in public life who write their own material. I write every word. And I really enjoy writing - especially my political commentary.
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I started writing poetry in high school because I wanted desperately to write, but somehow, writing stories didn't appeal to me, and I loved the flow and the feel and sense of poetry, especially that of what one might call formal verse.
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When I began writing in the mid-1960s, I thought it was not important for readers to know whether I was male or female. Also, I was a great admirer of E.B. White, so I may have thought that it would bring me luck to submit my first manuscript as 'E.L.' But if I were starting out today, I would use my first name.
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Those books of mine that are remunerative - I'm not talking about poetry here - take years to write, and I am never sure they'll be successful. So writing is a risk in more senses than one.
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When I started writing about art, there were no curators.
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I'm not interested in writing short stories. Anything that doesn't take years of your life and drive you to suicide hardly seems worth doing.
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I never discuss a novel while I'm writing it, for fear that talking about it will diminish my desire to write it.
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It's rare that I'm not at work on some sort of craft project. I've often enthused about the need to make things; how it employs a unique set of muscles - physical, intellectual, spiritual - that I can attain a state of flow when making something that I almost never can when writing.
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Real lobbying reform must end the practice of corporate lobbyists writing our laws.
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In terms of 'Ray Donovan,' the story is so rich, the actors are so fantastic, the writing is impeccable. And it's such beautiful storytelling with complex characters.
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I began doing writing projects and art and design projects to explore a new way of seeing Canada. Roots is one more way of continuing this exploration. I want to present a wide-open Canadian sense of color, adventure, communication and openness that defines our country.
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When I'm feeling frustrated with a story, I have faith that it's going to come. Also, when I first started writing, I wanted to write the stories that were not in my childhood, to represent people who hadn't historically been represented in literature.
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I learned that you should feel when writing, not like Lord Byron on a mountain top, but like child stringing beads in kindergarten, - happy, absorbed and quietly putting one bead on after another.
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At the end of my first year, I realized I wanted to do more drama, so I actually started an extracurricular course outside of university. So I was at school all day writing, and in the evenings I'd go to drama school. So it was nonstop.
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Think of a book special to you, and how much bleaker and poorer your life would be if that one writer had not existed - if that one writer had not, a hundred times or a thousand, made the choice to write. You're going to be that one writer one day for somebody you may never meet. Nobody can write that book you're going to write - that book that will light up and change up a life - but you.
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I'm excited that 'The Good Guy' is getting distribution because indie movies they're not - people ran out of money and they're not making these movies anymore. It's all superhero movies or real obvious tent pole studio films.
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I don't think any studio - it was a long shot at the time - but I don't think any studio in a million years would make 'Thelma and Louise' right now. But there's so many other kinds of movies they won't make right now.
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[We need to push] for what we want, not just what we can get.
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I'm one of those directors who read reviews, even if they're bad, because I started as a film critic as a cinema student. I indulge in the art of criticism in general.
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In writing the book I wanted to make it very clear that I feel prostitution should be decriminalized. But some people might have breezed by those aspects that others took the time to notice. In All I Could Bare, I hope I relate in a conversational way how stripping is a lot like other types of work.
