Anthony Robbins Quotes
I have no delusions that I'm the only source of improving people's lives or that I'm even the right source. My style is intense, and it's not going to be right for everybody.
Quotes to Explore
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One of the things we urge Y-Combinator companies to do is to have profitability in grasp. If you need to get profitable before your A round of money, you ought to be able to do that.
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You can always tell when a man's well informed. His views are pretty much like your own.
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Your mind is what makes everything else work.
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I didn't even know for years that people ever even got paid for this, because they don't teach you that in school. They don't say Shakespeare got a check.
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When our ancestors crouched about the camp fire at night, they told each other tales of gods and heroes, monsters and marvels, to hold back the terrors of the night. Such tales comforted and entertained, diverted and educated those who listened, and helped shape their sense of the world and their place in it.
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I see genres as generating sets of rules or conventions that are only interesting when they are subverted or used to disguise the author's intent. My own way of doing this is to attempt a sort of whimsical alchemy, whereby seemingly incompatible genres are brought into unlikely partnerships.
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I'm a capitalist. I believe that people take risk, and there are rewards if they do well; they should lose if they don't.
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At the moment I am a little bit politician, yes. I think that could be my next step. It is not because I want power, it is because of what I think I could do for the people.
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I can't imagine a person becoming a success who doesn't give this game of life everything he's got.
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The imperfections in my family made me learn to deal with things on my own and solve problems for myself.
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'Painting like a child' isn't a negative for me... it's something only great artists can really achieve. The childlike quality of some of Picasso's drawings is precisely what makes them so masterful and extraordinary; the ability to express complete visions, feelings and portraits through a continuous line.
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Whenever you're writing a book or creating a movie or a game, your first task is to get the reader/audience/player to suspend disbelief, to buy into the logic and boundaries of your world, even though those boundaries might include things like dragons and magic. To do that, you need long threads - of history and culture.
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I love physicality. I love movement very much.
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Here's the thing: I fell impossibly in love with the Internet from the minute I saw it in action in the early 1990s. From that moment on, I have studied it, analyzed it, reported on it, and, mostly, have not been without it as a part of my daily life since.
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'The X Factor' was the final push I needed to have the presence and confidence on stage, which I didn't have before. It's a crash course in the music industry. If you can survive the show, you're ready for the industry.
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The Doctrine of the Trinity teaches that within the unity of the one Godhead there are three separate persons who are coequal in power, nature, and eternity.
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I've always played characters that were younger than myself.
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I've always loved the old epics that tell a simple emotional story, whether it's the tumultuous relationship between Rhett and Scarlett or Lawrence of Arabia's passion to get lost in a faraway place.
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The monster London laugh at me.
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I love you - I am at rest with you - I have come home.
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From the pop side, people like Usher, and when they first came out, I listened to guys like K-Ci and JoJo; that '90s R&B thing really caught my ear.
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I didn't realize it, but the days came along one after another, and then two years were gone, and everything was gone, and I was gone.
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I have no delusions that I'm the only source of improving people's lives or that I'm even the right source. My style is intense, and it's not going to be right for everybody.
