William Caxton Quotes
Quotes to Explore
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It's hard because I think I fall into this in-between space where there's something that's innately feminine about me, and there's also something that's kind of androgynous. I carry myself somewhere in between, and I think my music lends itself to that as well.
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Without siblings you get quite a skewed vision of yourself and of the world. I always felt I didn't understand how it worked. I remember feeling quite lonely.
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Life in the Middle East is quite different from other places.
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The thing about dancing - what it taught me all those years - is it gives you an amazing sense of discipline in forcing yourself to do things that you know are good for you but you don't really want to do.
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I was lucky enough to be fairly quick at understanding what was taught, but unlucky enough not to be really interested in it, so I always got my exams but never had the scholar's love of learning for its own sake.
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Whenever you're writing a book or creating a movie or a game, your first task is to get the reader/audience/player to suspend disbelief, to buy into the logic and boundaries of your world, even though those boundaries might include things like dragons and magic. To do that, you need long threads - of history and culture.
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Liberman said to me, 'I must cut back on the work you do for Vogue. The editors don't like it. They say the photographs burn on the page . After some years, I began to understand that what they wanted of me was simply a nice, sweet, clean-looking image of a lovely young woman.
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It is very hard to not be able to engage with people in a real and honest way because they either want something from me, or they see me as something that I simply am not.
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If every effect of any new products or methods were required to be known before they could be produced and marketed, they would not be true innovations - and thus not represent new knowledge of what people would like, if offered.
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I love music, that it changes so much, but I also want to keep a bit of the country roots to make it country. I don't want to go too far away from it, or I would do pop music.
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Working with the likes of Joseph Fiennes was just an incredible experience.
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Write dialogue that supports the situation and the characters, as you find them.
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I wanted to start something in New York that focused on making products locally and, because I'd just had my second child, didn't want to be traveling halfway across the world anymore. Originally, I wanted to open up a gallery space and sell things like cushions or blankets that didn't have a season, and have friends or artists contribute.
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I worked as a cook before starting acting.
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I want to see people turn and writhe; make them feel things they cannot see and sometimes do not know.
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Human beings, who are almost unique in having the ability to learn from the experience of others, are also remarkable for their apparent disinclination to do so.
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There's obviously a push to protect the quarterback, but you have to give the defensive players a chance. All of the quarterback has to do is pull the ball, and he's a runner. How's the defender going to know if the ball is pulled or not?
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Children whose parents return to study do much better at school. Offenders who persist with studies are much less likely to reoffend. The national mental health strategy recognises the important role adult learning can play for people recovering from mental illness.
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Today's younger generation is no worse than my own. We were just as ignorant and repulsive as they are, but nobody listened to us.
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We must become acquainted with our emotional household: we must see our feelings as they actually are, not as we assume they are. This breaks their hypnotic and damaging hold on us.
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I don't think of myself as an illustrator. I think of myself as a cartoonist. I write the story with pictures - I don't illustrate the story with the pictures.
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. . . learn to value what is important today in the subtle realm rather than what appears desirable tomorrow in the worldly realm.
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For to a folysshe demaunde behoueth a folysshe ansuere.
