Jihea Oh Quotes
I want to bring my best skills to the table, but even more important is loving people. I want to accept the people I work with for who they are.
Quotes to Explore
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I want variety. I certainly don't want any kind of hype if I can avoid it. I'm trying to play parts which are a little more out there, but I want variety, I suppose, because - like a lot of people - I'm easily bored.
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People look at me, and they go, 'You're white, you're smart, you must have went to college. You must have grown up with money.'
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From 1961 to 1964, I was fortunate enough to work at a think tank in the Kenwood neighborhood of Chicago. As a writer and editor, I reported in a publication about the thinkers. Our offices were in a former mansion; I worked in what had been the ballroom. As I sat typing my copy, I imagined the dancers waltzing.
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Every weekend, I'm on the highway to Antwerp. I need to be there, to have the calm. It's a whole different life: I jump on my bike, and it's so small, I can be anywhere in a minute. I like to be at home when there's free time because when you're at a big company, you're constantly surrounded by 30 people.
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It's not blaming the victim. It's not anybody's fault. They just did something that didn't work, that's all.
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People see me because I'm winning my fights. That's how I want people seeing me.
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My friends and the people I know understand that I'm going to ask them what they're doing, how they're dating, who they're dating, where they're going and what they're doing. I'm constantly asking those questions and making sure I'm in touch with the customer.
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Having a chance to be someone other than yourself and to act out stuff that makes people look at you, like, wow, and that's why I love acting so much.
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The cool thing for me is, I go to a lot of conventions - a lot of science fiction conventions like Comic-Con - and there are always a lot of attendants of color. And I think some people believe that black people or people of color are not into science fiction or hero shows or genre shows.
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People don't realize that now is all there ever is; there is no past or future except as memory or anticipation in your mind.
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The first reactions from Germany and German industry was quite negative. People right from the start were saying that we will steal technology and take it away and move the plant to India and use low cheap labor to compete.
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People with goals succeed because they know where they're going.
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I think if you have any desire to be a leading man or to really carry some of these stories, there's this relationship that has to be cultivated with an audience. People have to be able to say your name.
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When I made '101 Reykjavik,' people talked about 'Almodovar on ice.' When I made 'The Sea,' people referenced Bergman.
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The people in my district don't call me 'congressman' - doesn't matter how old they are, they call me 'Jack.' They see me at the grocery store, at soccer games.
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They may well say not only is this not true, but I will put in an injunction to prevent publication. No, stories don't go in unless I'm convinced by the people who write them that they're true. And if I'm wrong, then so be it.
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People in Scotland want the parliament but don't give a toss about the elections.
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The Russians are extreme people: they are generous but crazy at the same time. They always have something to say, and I really like that.
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Many times I am asked why the suffering of animals should call forth more sympathy from me than the suffering of human beings; why I work in this direction of charitable work more than toward any other. My answer is that because I believe that this work includes all the education and lines of reform which are needed to make a perfect circle of peace and goodwill about the Earth.
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I believe that children are, by nature, very forgiving. I don't think children expect their parents to be perfect. I think they demand that their parents be real.
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Most of what I listen to now is mainstream jazz from 1935 right up to and including early bebop and cool jazz.
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I didn't even have a uniform, just a cap. I wore my regular clothes. The way my shackjob Betty and I drank there was hardly money for clothes.
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You don't get to know anybody in a movie until after it's over. You work less together in a film than you do onstage.
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I want to bring my best skills to the table, but even more important is loving people. I want to accept the people I work with for who they are.
