Samira Wiley Quotes
Poussey is a really huge part of 'Orange,' and I'm sure her name will always echo through the halls of Litchfield, dead or alive.

Quotes to Explore
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Can I throw harder than Joe Wood? Listen mister, no man alive can throw any harder than Smokey Joe Wood.
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I always watch the work I do.
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The name 'Charmageddon' actually comes from a social technique that I use. Which is, you know, literally obliterating people with charm so that you can get away with saying stuff that no one else could ever get away with, you know?
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My first agent told me to change my name or I'd only play Jewish parts or Indians. Of course I refused to change it. Shortly thereafter she came up to me and told me I had to keep it, because her numerologist said it was very, very good.
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I used to kind of go for it, right? Like, I'd be the one who would say, 'All right, there's Kate Moss. I'm going to try to make out with her.'
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I believe politicians should always remain realistic.
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There is always an emotional element to anything that you make.
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Most people, when they hear the disease name, it's all they know about it. It sounds so mild. When I first was sick, for the first 10 years or so, I was dismissed. I was ridiculed and told I was lazy. It was a joke.
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I don't want to name names, but the least I can say about rock and roll is that I'm suspicious.
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You break her heart, I'll break your neck.
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Bill Mitchell said he really liked it. But when he asked the other four their opinions, we all took one look at ourselves in our raggedy long winter coats and cracked up. We knew we weren't likely to tempt anyone or anything, but what the hell, it was as good a name as any.
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Yeah, well my name is Bai Ling. That means white spirit, and I really feel like sometimes I'm not existing.
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Journalists always explain that people are mad at them because they tell the truth, which is often unpleasant or uncomfortable to hear. However, they fail in situations where there is more than one truth.
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Madonna can still produce a catchy pop song, but she hasn't expanded her artistic vocabulary since the 1990s. Her concerts are glitzy extravaganzas of special effects overkill. She leaves little space in them for emotional depth or unscripted rapport with the audience.
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I lived near Arthur's Seat when I lived in Edinburgh. It was the perfect playground as a child. I always have a wee run up there when I'm back.
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The children of the revolution are always ungrateful, and the revolution must be grateful that it is so.
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I always knew I was destined for greatness.
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When you're guest-starring, it's very nice, but you're there very briefly, and it's right there in the name: You're a guest. It's very hard to get a real sense of belonging. With recurring and regular roles, at least you have a sense that this is a home and a steady place.
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I'm a rational person, and I'm not a method actor. You don't need to call me by my character's name while I'm not shooting.
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I wouldn't say that cutting was pleasurable, but there is a sense of euphoria that follows cutting yourself. The quick pinch of pain and the sight of blood snaps you back to the surface and you start to appreciate being alive.
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I was taught that to create anything you had to believe in failure, simply because you had to be prepared to go through an idea without any fear. Failure, you learned, as I did in art school, to be a wonderful thing. It allowed you to get up in the morning and take the pillow off your head.
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No personal calamity is so crushing that something true and great can't be made of it
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All we want is to carry out the greatest expression of a free democracy and vote on Catalonia's future. This is not about independence: it is about fundamental civil rights and the universal right of self-determination.
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Poussey is a really huge part of 'Orange,' and I'm sure her name will always echo through the halls of Litchfield, dead or alive.