Ed Gordon Quotes
We're looking at a story we want to call "Am I Black enough for you?" That's that whole question of who determines what "Black enough" is. Is it color? And if it's color, then are you telling me that Clarence Thomas is Blacker than Louis Farrakhan? If it's not color then what's the line that determines whether you are?
Quotes to Explore
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All of my problems are rather complicated - I need an entire novel to deal with them, not a short story or a movie. It's like a personal therapy.
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I'm not a very big fan of 'Slumdog Millionaire.' I think it's visually brilliant. But I have problems with the story line. I find the storyline unconvincing.
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Besides black art, there is only automation and mechanization.
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Sometimes the kids come up with better endings than the real story.
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This basic thing I always do: 'What happened between the character's birth, and page one of the script?' Anything that's not in the story, I'll fill in the blanks.
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College was where I got to actually experience the difference between black and white.
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I think that it's hard enough being an adolescent and wanting so much to fit in with your peers, your schoolmates, and to erase any sign of difference, to be part of the group. And being biracial but also being black in a predominately white school marked me as different.
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Genes are like the story, and DNA is the language that the story is written in.
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In a typical history book, black Americans are mentioned in the context of slavery or civil rights. There's so much more to the story.
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Moviewise, I would love to make the story of princess Erendira. She was a 16 year old princess/warrior who led her tribe in war against the Spanish around 1513. She almost defeated them, and the Tarascans were the only tribe the Aztecs couldn't defeat.
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The No. 1 cause of preventable death for young black men is not auto accidents or accidental drowning, but homicide.
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As cliched as it sounds, if you have an original voice and an original idea, then no matter what anybody says, you have to find a way to tell that story.
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Black and white creates a strange dreamscape that color never can.
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I grew up in Haughton, Louisiana. I go to my white grandparents' house, and then I cross the railroad tracks and hang out with my black grandma. We have English teachers on my white side. My grandpa is a principal. And then you go to the other side, and people have been in jail.
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The human brain works as a binary computer and can only analyze the exact information-based zeros and ones (or black and white). Our heart is more like a chemical computer that uses fuzzy logic to analyze information that can't be easily defined in zeros and ones.
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I wrote my first book at eight, all of four pages. At 10, I did a 40-page story. At 12, I wrote two stage plays.
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Madness rides the star-wind... claws and teeth sharpened on centuries of corpses... dripping death astride a bacchanale of bats from nigh-black ruins of buried temples of Belial...
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My mother was pregnant with me while she was in prison. She was her own attorney, never been to law school. She was facing 300 and something odd years. One black woman, pregnant, beat the case. That just goes to show you the strength of a black woman and the strength of the oppressed.
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When I was fourteen, I was one of those kids who wore all black because it matched everything. Seriously.
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It shows courage, and it shows commitment to move beyond the status-quo politics of rhetoric, which is all the Cuban-American community has received from any party for the last half century.
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I love directing and that's where I'm headed. That's where my head is at.
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I could live naked... I love it.
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We're looking at a story we want to call "Am I Black enough for you?" That's that whole question of who determines what "Black enough" is. Is it color? And if it's color, then are you telling me that Clarence Thomas is Blacker than Louis Farrakhan? If it's not color then what's the line that determines whether you are?
