Bonnie McFarlane Quotes
Quotes to Explore
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I want to lay all my cards out on the table and walk away with no regrets.
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Thanks to every gay person in public and non-public life who has come out.
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I think that what we do out on the field is oftentimes a little bit better than what men do. I don't think that we flop around as much. I think we're tough. I mean, I've got battle wounds on my legs from the turf and sliding. And we're gritty. And we're feisty. And I think that I would never back down from a guy.
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There's so many different styles to it. I use my athletic ability to create shots for open people, I run the floor, then also space the floor as well. That's what I try to do.
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I would like to promote internal change in Iran - which is more likely if we don't fuse Iranian nationalism with Iranian fundamentalism.
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I thought I was going to be a theater actor. I moved to New York after college and did some plays and worked a lot. Once the realities of living as a theatrical actor hit me, I realized I wanted to start making a little bit of money and not have to bartend and work in theater.
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I beefed with 50 Cent for seven years.
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I pay a lot of attention to box office because I understand it. TV ratings? I don't know how to interpret them, since I'm new to TV, so I'm just going to wait for somebody to tell me.
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To my mind the life of a lamb is no less precious than that of a human being. I should be unwilling to take the life of a lamb for the sake of the human body. I hold that, the more helpless a creature, the more entitled it is to protection by man from the cruelty of man.
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There's no such thing, like a female with good looks who cooks and cleans.
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Without the basis in written law, and without the basis in our Constitution ratified by the people, judges can't make laws. And if we accept the notion that their dictates are law, then we have not only submitted to tyranny, we have abandoned a republican form of government.
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The important thing is the storytelling and having a script that makes you feel you're living and breathing through the characters.
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I don't have many walls that I put up.
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The excitement that you were feeling about a special, unique path for yourself as a woman is all part of your identification with and attachment to being female. And that's ultimately all ego.
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I guess I don't really believe in retirement. I believe in shorter days and maybe in weekends!
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Self-Realization Fellowship seemed like training. It was the training ground for finding a sense of peace in myself. Because that's my job. It's no one else's.
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The more brutal it gets in the working world, the more appealing the prospect of having someone at home creating a sanctuary becomes. Increasingly couples, particularly with children, are making that tough choice, with one or other partner electing to embrace domestic duties while the other brings home the cash.
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The job of the poet is to render the world - to see it and report it without loss, without perversion. No poet ever talks about feelings. Only sentimental people do.
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I'm not 'Grace.' That album is like a brick onto itself. It's like a coffin that I put certain feelings and observations in so that they can be capsulized forever. I wanted to put them there so I would be free to move on.
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I'm not always interested in Hollywood norms and boy-next-door kind of characters.
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Only another writer, someone who had worked his heart out on a good book which sold three thousand copies, could appreciate the thrill that overcame me one April morning in 1973 when Dean Rivers of our small college in Georgia appeared at my classroom door.
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'I like to know things. I'm hungry for knowledge.'
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He's part of the product and will make no bones about creating that image to bring the value up in his product, bring the value up in everything he touches.
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When one door closes another door opens. Usually a refrigerator.
