Eddy Curry Quotes
I'm just saddened by the fact that I know him and it hits close to home, ... It's tough to deal with because it can happen to anyone.
Quotes to Explore
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What I hope to do in the States is to break up this stereotyping of Muslims and Arabs. I mean, we are basically the only sub-culture that is not represented in Hollywood. And it's funny because everybody is talking about the Muslim world and the Arab world, and we are not represented.
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We had to get serious and hit all aspects. We had to graduate. That's what you got to do: reach all people across the nation.
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Somebody tell the damn players to start playing like old school.
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If cattle and horses, or lions, had hands, or were able to draw with their feet and produce the works which men do, horses would draw the forms of gods like horses, and cattle like cattle, and they would make the gods' bodies the same shape as their own.
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The bonds we create in the household are the most important and lasting. Savor them; they're sacred.
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I don't know what I was expecting or what I was dreaming about the xx accomplishing.
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Like the rest of the city, LAX is coming of age.
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I pick out young people and teach them in less time than it would take me to alter the methods of people from the boards, and I get actors who look the parts they have to fill.
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I've never had a very great public life.
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What I am really curious about is the visuals of cinema... the form.
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I've always been a dreamer.
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I think that what we do out on the field is oftentimes a little bit better than what men do. I don't think that we flop around as much. I think we're tough. I mean, I've got battle wounds on my legs from the turf and sliding. And we're gritty. And we're feisty. And I think that I would never back down from a guy.
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You have a specific, defined audience-at MTV, they assume the audience to the news is 15 to 30 years old and they do a lot of research about the things they're interested in.
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No matter how badly senators want to know things, judicial nominees are limited in what they may discuss. That limitation is real, and it comes from the very nature of what judges do.
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Once I had left 'Twin Peaks' and started doing other shows and other movies, I kept running into, 'No, no, we can't do it this way. This is the way it has to happen.' I'm like, 'No. I've already done it, and it worked, so I don't understand what you're saying.'
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You're sent scripts, and for some, as soon as you start reading them, you feel an instant connection to the character. You know who they are, you know how to play them, and there is instant enthusiasm. Then, at the audition, you don't have nerves because of that natural affinity.
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Our central theme is, How good you can get? How hard can I go to see how good you can get?
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It is also a good rule not to put overmuch confidence in the observational results that are put forward until they are confirmed by theory.
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Theater, at the end of the day, is about ideas. It's about very large ideas. And if the play is beautifully written or smartly written and has incredible characters you follow on the journey, you take home these larger ideas. Whether it's 'Angels in America' or 'Lucky Guy' or 'Normal Heart,' you follow this moment-to-moment journey as an audience.
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No one wants to see me struggling to get a horse under control because I can't ride it. And no one wants to see me not knowing how to deal with the psychological makeup of the character.
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I like the pressure.
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Jews, when they get successful, they will help their people.
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I'm just saddened by the fact that I know him and it hits close to home, ... It's tough to deal with because it can happen to anyone.
