Edmar Mednis Quotes
Playing without a concurrent critical review of one's skills will simply get you nowhere.
Quotes to Explore
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I find that men are far more vain than women.
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There are really two kinds of optimism. There's the complacent, Pollyanna optimism that says, 'Don't worry - everything will be just fine,' and that allows one to just lay back and do nothing about the problems around you. Then there's what we call dynamic optimism. That's an optimism based on action.
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I am the last guy that wants to quit making music.
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I've never been far from the river. I'm sort of like a Thames-nymph.
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I think you can say anybody uses anything as a gimmick. Is Adele's not having gimmicks her gimmick? It's hard to say, isn't it? Really, I think that everybody has something that people like or that's great about them.
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I'm not shy about trying to find what truth there is in any genre, whether that be an action piece, a sci-fi piece, a small indie film, or a play. I'm open to it all.
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It's a tough transition really for theater actors to adjust to television or film, and all of these years later, I still have a tendency to play it too big.
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All women's issues are to some degree men's issues and all men's issues are to some degree women's issues because when either sex wins unilaterally both sexes lose.
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Above all, we must avoid the pitfalls of tribalism. If we are divided among ourselves on tribal lines, we open our doors to foreign intervention and its potentially harmful consequences.
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Beauty is indeed a good gift of God; but that the good may not think it a great good, God dispenses it even to the wicked.
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I found that if I don't paint for around a week, I get practically suicidal. It took a long time to figure out why I had these mood swings, and I finally figured out it's because I haven't painted.
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Generally, I find a lot to be grateful for.
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The Middle East is obviously an issue that has plagued the region for centuries.
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Dumb luck brought on the move from business to acting. I had moved to New York when I was 23, in the year 2000. On a lark, I went to audition for a soap opera.
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At Mass General in January 2007, Dr. Loeffler's team attached a ring-shaped metal frame to my head with four pins. Then I went to the radiation center, where they strapped me to the treatment table and secured the head frame so that I couldn't move.
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I come from a massive family, and the youngest is twentysomething years younger than I am, so I grew up with children.
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Red Carpet Enterprise has been really well received since one guy can install it in about an hour, and it makes it trivial to deal with software management issues like deploying updates and creating standard package sets for your various machines.
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I've been hearing fiddle music since I was in the womb, I'm sure.
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One of the things is that the good intentions of Prohibition, from reading over the years and from becoming obsessed with the research of gangs in New York City, seems to have allowed crime figures at the time, like Luciano, Capone, Torrio and Rothstein, to organize to become more powerful, which pulled all the way through until the '70s.
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I'd probably describe my sense of humor as 'twisted,' I guess. It's not hard to make me laugh, especially when I'm surrounded by my close friends, especially my bandmates.
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Always, European art cinema has been the most threatening and the grimmest and the most transgressive, I think.
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People don't expect government to solve all their problems. But they sense, deep in their bones, that with just a slight change in priorities, we can make sure that every child in America has a decent shot at life, and that the doors of opportunity remain open to all. They know we can do better.
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Playing without a concurrent critical review of one's skills will simply get you nowhere.
