Edmundo Desnoes Quotes
Weston's sensual texture or Cartier-Bresson's implacable composition are apt to close over themselves, attaining the perfection of a certain sensual and harmonious bliss. We see textures, volumes, equilibrium - and reality, open and ragged, is lost and transcended.
Edmundo Desnoes
Quotes to Explore
When you do something with a lot of honesty, appetite and commitment, the input reflects in the output.
A. R. Rahman
I like to think I'll just be walking down the street one day and stop and meet someone, like, 'Oh my God, you're awesome,' and then we start dating.
Laura Prepon
Sometimes you have to exercise your insanity, to really make it strong.
Flula Borg
The bar is set pretty low if you want to be a hip, accessible conservative.
P. J. O'Rourke
The thing that I've always been slightly frustrated with, was that the idea of a CD is kind of confined to a material possession that you can put on a shelf. And the idea of music, for me, is always about both the communication and the sharing of content. And so the interactive part is missing.
Yo-Yo Ma
I always wear beige, black or white. For one thing I look good in them. For another, when I'm beside a star at a fitting, and she looks into the mirror, I don't want to be competing in any way.
Edith Head
Compassion is the antitoxin of the soul: where there is compassion even the most poisonous impulses remain relatively harmless.
Eric Hoffer
I have always looked after my little girl - my wife - and made sure she is in the safest hands possible at all times. She was always an unbelievably strong woman.
Engelbert Humperdinck
Cary Grant was wonderful to work with on stage. He would move downstage, so that as he looked at me the audience had to look at me, too. He knew a lot about the theater and how to move around. He was very secure.
Fay Wray
Walla Walla is where I make wine, with Eric Dunham. He and I partnered up on a small project for me. We make pretty good cabernet and syrah.
Kyle MacLachlan
Justin Lin, the writer and director of the teenage-wasteland drama 'Better Luck Tomorrow,' a shrewdly tense piece of storytelling, recognizes that sometimes it's good for a filmmaker to stir up trouble.
Elvis Mitchell
Weston's sensual texture or Cartier-Bresson's implacable composition are apt to close over themselves, attaining the perfection of a certain sensual and harmonious bliss. We see textures, volumes, equilibrium - and reality, open and ragged, is lost and transcended.
Edmundo Desnoes
