Brad Sherwood Quotes
The last guy tried to get out of me writing him a ticket by saying, 'Kiss me, big boy, kiss me like there's no tomorrow!'...as I recall, I didn't write that ticket.
Quotes to Explore
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When I was around eight, I learned how to touch-type at school, and I received a computer as a present. I started writing plays, and for many years I thought I would be a playwright.
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I always say that I'm an artist who works with pictures and words, so I think that the different aspects of my activity, whether it's writing criticism, or doing visual work that incorporates writing, or teaching, or curating, is all of a single cloth, and I don't make any separation in terms of those practices.
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I've been writing for a long time. I sat down to write my first novel in the middle of March of 1982.
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I'm quite adept at writing two or sometimes even three stories at once. So if I get stuck on one story, I switch the next and let my subconscious work on unraveling any plot problems from another story.
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Writing is agony. I hate it.
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I had casually rented an apartment that cost $75 a month because I expected my writing to pay my way.
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Because I find writing painful, I try to get it over with as fast as possible. But I write every day, or I lose the thread.
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For me, writing is such an escape, and I felt very lucky to have this to run away to.
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I am writing to all the churches to let it be known that I will gladly die for God if only you do not stand in my way... Let me be food for the wild beasts, for they are my way to God.
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I love teaching online at my website and soon I'll be writing a math book. I love to teach math. I just don't have time for a full-time teaching gig. Acting is way too time-consuming.
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Television has raised writing to a new low.
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When I began writing in the mid-1960s, I thought it was not important for readers to know whether I was male or female. Also, I was a great admirer of E.B. White, so I may have thought that it would bring me luck to submit my first manuscript as 'E.L.' But if I were starting out today, I would use my first name.
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Writing is a discipline: it's almost all about holding back.
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I like writing about big turning points, where professional and personal lives coalesce, where the boundaries are coming down, and you're faced with a set of choices which will change life forever.
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Writing has to support itself.
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Writing for the theatre is so different to writing for anything else. Because what you write is eventually going to be spoken. That's why I think so many really powerful novelists can't write a play - because they don't understand that it's spoken - that it hits the air. They don't get that.
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When the poet is in love, he is incapable of writing poetry on love. He has to write when he remembers that he was in love.
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While writing my memoir, 'When Skateboards Will Be Free,' I would sometimes have to pore over hours of microfilm at the New York Public Library in order to try to get one obscure detail right. For instance, was the Socialist Workers Party originally called the American Workers Party or the Workers Party of the United States?
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If I wrote in Michael Harrington's time, roughly 50 years later when he published 'The Other America', I'd still be writing about poverty and also entrenched racial injustice.
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After 2008, I told people that conservatives were going to be invisible for a while. But, with time, our ideas would be back.
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One good thing about animation is that, if you do screw up a line, they won't use it. You can keep going until it's right.
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Women know that we're not just strong. We're not just vulnerable. We are not just attractive or not attractive. We are many things at once, and we're able to see into that complexity.
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Like, literally, when you get the script, you're like, 'Whoa, I hope the Black Hood isn't after me.' I guess we'll find out.
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The last guy tried to get out of me writing him a ticket by saying, 'Kiss me, big boy, kiss me like there's no tomorrow!'...as I recall, I didn't write that ticket.
