Edward Betts Quotes
Many contemporary painters feel that their landscapes come from within and are brought to the surface and given form as a result of various stimuli. The artist's internal world is waiting to be evoked by whatever means the artist finds most productive, and... this world is just as important as the outer, visible world.
Quotes to Explore
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I think the line is where you're in the studio, you're creating. That belongs to you as an artist. Nothing should taint that. I shouldn't be thinking about what the fans want, I shouldn't be thinking about what the radio wants, what the label wants, what your manager wants, a song for the chicks, a song for the street.
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The worst thing that being an artist could do to you would be that it would make you slightly unhappy constantly.
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No genuinely avant-garde artist should ever be on the government dole.
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Where I come from, if you weren't a drag queen or a radical thinker or a performance artist of some kind, you were the weirdo.
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If I'm not putting out music, I'mma be producing for everybody. I got an artist named Mike Slice. He's nice, and he's real good. I'm doing a bunch of production for all the artists in the industry because I'm as much as a producer as I am an artist.
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As a hip-hop artist who likes fashion, who can't help but notice people like Kanye West, Tiger, Big Sean and definitely T.I.P. These guys really understand how to be progressive and fashion forward.
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We are going to finish this picture just the way I want it... because you cannot compromise an artist's vision.
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A successful artist of any kind has to work so hard that she is justified in refusing to lay down her sceptre until she is placed on the bier.
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I leave the genre labeling to other people. I really do. If I were to think too hard about it, that would stifle you creatively. If you think too hard about who other people want you to be as an artist, it stops you from being who you want to be as an artist.
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It might crush a lot of people, but I've never been in the room with an artist that I've written a song for.
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I am Warhol. I am the No. 1 most impactful artist of our generation. I am Shakespeare in the flesh.
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At a certain time, an artist needs a big retrospective. At other times, they need a more focused exhibition. It's a different story each time; it's about establishing a dialogue.
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I'm not an artist that has a big, huge radio record that's going to be on BET.
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I've always had so much admiration for my mom. She's so inspiring as a woman and as an artist.
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If you grow up saying, 'I want to be a lawyer,' everyone says, 'Let's give her everything she needs to be a lawyer.' But if you say 'I want to be an artist or a dancer or a painter,' it's, 'Oh, she'll grow out of it.'
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There's many an artist that comes to Nashville in hopes of doing the same thing I'm doing right now,
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The script [for the movie based on the life of singer Connie Francis -- "Who's Sorry Now?"] is finished and is in the hands of several artists to see if somebody wants to film at the start of [2006].
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I want to go and see things as a fan again. I am a fan, but I can't remember what it feels like to be a fan anymore. Because I've become an artist. I've become the artist.
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As a white male in America, I have privilege. As a white male who happens to be an artist with a fan base, I have a platform to spread awareness about that privilege. However, songs about race and privilege are very difficult to A) write and B) dissect as a listener. They're heavy.
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The trouble with retirement is that you never get a day off.
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Many contemporary painters feel that their landscapes come from within and are brought to the surface and given form as a result of various stimuli. The artist's internal world is waiting to be evoked by whatever means the artist finds most productive, and... this world is just as important as the outer, visible world.
