Edward Bulwer-Lytton, 1st Baron Lytton Quotes
Quotes to Explore
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To read without reflecting is like eating without digesting.
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People have their own opinions but sometimes with the media things get chopped up and cut around to make stories out of it.
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I think pink is one of the saddest colors in the world, and many American humans are taught not to take anything pink seriously, which is weird.
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Athletes don't like to get up early, but it never bothered me.
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I just try to get away with as much as I can. I don't think that's very radical in the art world.
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Daryl Hannah likes to goof around with fashion, but she does have pretty impeccable taste.
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The three main sources of scepticism are first, that not every people desires freedom; second, that democracy in certain parts of the world would be dangerous; and third, that there is little the world's democracies can do to advance freedom outside their countries.
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February days are a marketing gimmick; love happens every day.
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I wanted to be a skinny little ballerina but I was a voluptuous little Italian girl whose dad had meatballs on the table every night.
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I'd love to have kids, but not at the moment.
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Tishlin’s dubious look indicated he wasn’t totally convinced this phrase contributed enormously to the information-carrying capacity of the language.
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If there is one quality that I find is more essential to a successful and happy life than any other, it is empathy. It is at the core of family stability and love. I’ve never had a couple come to me and say, 'I want a divorce; my partner understands me.'
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Musik höhere Offenbarung ist als alle Weisheit und Philosophie.1
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In my mind, I am extraordinarily handy. But what that means is when I attempt to fix something, there's usually a five-minute period of experimentation, followed by a five-minute period of frustration, followed by a frantic phone call to a professional.
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We shall see our friends again. We can lay them in the grave; we know they are safe with God.
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I'd love to play Puck in 'A Midsummer Night's Dream.'
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The world is very different today than it was in 1968.
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My songs emerge from my life, or wherever they do, unbidden and unplanned and completely on a schedule of their own.
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It's a job. When I'm writing I'm going to do it five to six days a week and I'm going to work for four to six hours a day. There's no magic writing fairy. It's just hard work.
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By combining elements such as hypnosis, magic, neurolinguistic programming and psychology, I can make it appear that I can hack into people's brains.
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One day, I saw a magic show, and I was like, 'I have to learn how to do this!' Every time I went to Las Vegas, I had to get at least two or three tricks from the magic shops.
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As soon as I go to Wall Street, my customer - all of a sudden, I'm working for people that don't know me. They don't know how much I love what I do.
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The magic of the tongue is the most dangerous of all spells.
