Eero Saarinen Quotes
To me the drawn language is a very revealing language: one can see in a few lines whether a man is really an architect.
Quotes to Explore
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You've got to really be able to accept the rejection.
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I don't think a lot of actors talk about it, but there's usually a process where you essentially purge yourself of the character that you played prior to the movie.
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I just want to continue with gymnastics because I'm still young and fresh. I think can get some more titles under my belt.
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The purpose of a business is to create customers.
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But however measurable, there is much more life in music than mathematics or logic ever dreamed of.
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I live in New York. I don't really particularly want to move to LA.
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We live in a globalising world. That means that all of us, consciously or not, depend on each other. Whatever we do or refrain from doing affects the lives of people who live in places we'll never visit.
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I never had little brothers, so I was totally not used to hearing a lot of cussing at a young age! I learned what 'pull my finger' meant the hard way.
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I don't think of myself as a movie star and I can pretty easily convince other people that I'm not a movie star.
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One of the most important things, actually, when you're playing on grass, is to move.
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I am hard-pressed to find a successful writer who doesn't have a similar story to mine - transformation through the public library.
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The ending is really the most important part of the movie. If the first hour and 20 minutes is terrific and the last ten minutes stinks, everybody walks out of the theatre and says: 'That was a lousy movie!'
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I definitely went through a period when I was a teenager when every girl was 'The One' and every break-up was the 'Worst Thing That Had Ever Happened.'
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I can make up stories with the best of them. I've been telling stories since I was a little kid.
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All activities and events that a body is to go through are determined at the time of conception.
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I'm not a prophet, but I always thought it was natural for dictatorships to fall. I remember in 1989, two months before the fall of the Berlin Wall, had you said it was going to happen no one would have believed you. The system seemed powerful and unbreakable. Suddenly overnight it blew away like dust.
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You're dead," I repeated. "So why are you in my dream?" He raised the bill of his olive drab ball cap with one finger. " Good question. Morbid, isn't it?" "What?" "Dreaming about dead peolpe. Creepy. You ever see a therapist about that?" "I'm not -" Even in dreams, I couldn't win an argument. Even when he was dead.
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Creation is too grand, complex, and mysterious to be captured in a narrow creed. That is why we cherish individual freedom of belief.
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It has taken me a long time to work out the function of ex-boyfriends, at least for me: how they can help you work out what you want from life and from a partner by showing you what you don't. If a man is your ex, it's better all round if he was not Mr. Right.
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You’re bigger than the toys. We are always bigger than the things we make. Put them away. Make something new with your life, with your own mind and hands.
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Cut in dressmaking is like grammar in language. A good design should be like a well made sentence and it should only express one idea at a time.
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To me the drawn language is a very revealing language: one can see in a few lines whether a man is really an architect.
