Elena Ferrante Quotes
As for the minor characters, it seemed natural for each of them to have his good or bad moment in the life of the protagonists and then slip into the background, just as when we think back on our existence and, of the many people who entered the flow of our lives, remember almost nothing.
Quotes to Explore
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I'm not good with catty girls. I'm too laid-back.
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If you can be a good example to other people, why not try to be that person? I have a bit of a people pleaser in me, but not so much so that it's out of control.
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A story never looks as good as when the other fellow buys it.
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There's nothing like a music festival. People are ready to have a good time. I don't think anyone comes to a festival going, 'I'm gonna be a complete bummer today.'
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DeNiro did a good job playing a catcher in 'Bang the Drum Slowly,' but he's great in everything he does.
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I feel like I've got a pretty good presence online through Instagram and Facebook. I just keep it simple.
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Brad Pitt is amazingly talented and equally good-looking, too.
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Can anything good come of a backward way of thinking like judging someone based on skin color? No way.
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I firmly disbelieve that one has to be a tortured soul to write good music.
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The thing that makes writing so difficult is you don't have the element of serendipity. At least with a photograph, you can set up the camera, and something might happen. You might be a lousy photographer, but you can get a good picture if you just take enough of them.
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We took a plant that was being closed by a big company thinking there was no good use for it, and we came in with a different perspective. We bought some used equipment, as simple as we could.
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Even when things are at their worst, there's a little voice in your head saying, 'Good story!'
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Look at every path closely and deliberately, then ask ourselves this crucial question: Does this path have a heart? If it does, then the path is good. If it doesn't, it is of no use.
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I try to get roles that challenge me in what I can do and who I think I can portray. For me, it's about creating characters with really fascinating stories, because that's what I like to watch on TV.
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Only a bad artist thinks he has a good idea. A good artist does not need anything.
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Traditionally I'm not a very good secret-keeper.
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The science of booby-trapping has taken a good deal of the fun out of following hot on the enemy's heels.
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For me, if the words are good on the page, the rest of it comes from spending some time with the script, and not like you're learning lines but absorbing what the script has to offer.
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We didn't start this war - the right wing did. We're tired of seeing good-paying jobs shipped overseas. This fight is about the economy, it's about jobs and it's about rebuilding America.
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I'm working on the Star Wars script today and the people in my office have covered up all my windows with black paper. I guess they wanted to make sure no one could see what I was doing. It seems rather extreme.
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The boldness of asking deep questions may require unforeseen flexibility if we are to accept the answers.
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You are all fundamentalists with a top dressing of science. That is why you are the stupidest of conservatives and reactionists in politics and the most bigoted of obstructionists in science itself. When it comes to getting a move on you are all of the same opinion: stop it, flog it, hang it, dynamite it, stamp it out.
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As for the minor characters, it seemed natural for each of them to have his good or bad moment in the life of the protagonists and then slip into the background, just as when we think back on our existence and, of the many people who entered the flow of our lives, remember almost nothing.
