Elena Ferrante Quotes
What is clear to me, always, is that the writing must never lose sight of truth as its ultimate goal. Page after page, the drive to capture what is true, and not what resembles the truth, shapes the work. If, even for a few passages, the tone becomes false—that is, too studied, too limpid, too regimented, too well-phrased—I am obliged to stop and to figure out where I started to go wrong. If I can’t, I throw everything away.
Quotes to Explore
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The mere process of growing old together will make the slightest acquaintance seem a bosom friend.
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When I was a kid, all I ever wanted was to be famous.
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The American people know something is wrong as far as energy is concerned. They don't think they are being told the truth.
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I met will.i.am in the studio and played him a couple of songs and he liked them. We're similar but there's nobody in my lane doing what I'm doing.
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'The Outsiders' cast in particular was a joy to be around - sweet kids, normal goofy teenagers off camera and serious artists on. They were great. I never got them mixed up with the characters, though. Each of them had his own strong personality.
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I've really written my books for my husband and our family. They've brought us closer together by allowing us to discuss things that were unspoken for so long.
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So many of us have friends or family who have battled cancer, and we know how important it is to find a cure.
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I try to explain to people that you get the roles that are right when they're right. If you have a nerd character but you're kind of a cool guy, you're probably not going to get the nerd part. The nerd is going to get the nerd part. You know, someone like me.
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I lived in South Africa until I was 11 when we first immigrated. My mom had sent me back there when I was 14 for summer vacation. I wasn't doing very well in school, my grades were slipping. I called my mom one day and told her that I wasn't coming back. I ended up staying there until I was 17 before coming back to North America.
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The whole edifice of modern physics is built up on the fundamental hypothesis of the atomic or molecular constitution of matter.
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I've always thought about my legacy - more so, though, my impact off the field and how I'm helping my community and solidifying and strengthening the lives of others around me. And also, I just want to be a dominant football player, too. So it encompasses everything.
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I still have a lot to do, a lot to improve.
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'Gatekeeper' was sort of my first attempt to put a little bit of a frame and boundaries around songwriting, and try to figure out a way to approach it that had a sort of end result in mind. I haven't written many like that.
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He who is too busy doing good finds no time to be good.
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I felt that it was cool to even get to the point where I was able to audition on the actual 'SNL' stage. Looking back on it, I can't believe that I wasn't more nervous.
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It is my deliberate opinion that the one essential requisite of human welfare in all ways is scientific knowledge of human nature.
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Teach your children everything that you're not, because they will pick up on everything that you are.
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It's not weird being recognised, but it's weird having to stop what you're doing to take pictures or sign something. But the fans are the reason you have your success, so it comes with the territory.
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When I talk about my husband, I feel as if people roll their eyes. It's like when you're 16 and order a martini, and the waiter says, 'Do you think I'm stupid?'. They can't grasp that I'm old enough to be married.
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Some people rehearse to a point where they're robotic, and they sound like they have memorized their presentation and didn't take it to the next level. Going from sounding memorized and canned to sounding natural is a lot of work.
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In the theater, actors are the essential element of the work. In a film, it's a real collaboration - not that theater isn't, because it is - but it's a collaboration to such an extent that you can give a performance in film that sometimes you look at and you go, "Well, that's not the performance I was trying to give at all."
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What is clear to me, always, is that the writing must never lose sight of truth as its ultimate goal. Page after page, the drive to capture what is true, and not what resembles the truth, shapes the work. If, even for a few passages, the tone becomes false—that is, too studied, too limpid, too regimented, too well-phrased—I am obliged to stop and to figure out where I started to go wrong. If I can’t, I throw everything away.
