Elena Ferrante Quotes
What is clear to me, always, is that the writing must never lose sight of truth as its ultimate goal. Page after page, the drive to capture what is true, and not what resembles the truth, shapes the work. If, even for a few passages, the tone becomes false—that is, too studied, too limpid, too regimented, too well-phrased—I am obliged to stop and to figure out where I started to go wrong. If I can’t, I throw everything away.
Quotes to Explore
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The mere process of growing old together will make the slightest acquaintance seem a bosom friend.
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When I was a kid, all I ever wanted was to be famous.
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The American people know something is wrong as far as energy is concerned. They don't think they are being told the truth.
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I met will.i.am in the studio and played him a couple of songs and he liked them. We're similar but there's nobody in my lane doing what I'm doing.
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'The Outsiders' cast in particular was a joy to be around - sweet kids, normal goofy teenagers off camera and serious artists on. They were great. I never got them mixed up with the characters, though. Each of them had his own strong personality.
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I've really written my books for my husband and our family. They've brought us closer together by allowing us to discuss things that were unspoken for so long.
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So many of us have friends or family who have battled cancer, and we know how important it is to find a cure.
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I loved experiencing city life in New York.
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It always starts with a script. I like to have plenty of time to read something, and I always like to read a paper copy. I hate reading it on email. I sit down with a script, and want to see how it hits me. It's an instinctive process.
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Life is something to do when you can't get to sleep.
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I try to explain to people that you get the roles that are right when they're right. If you have a nerd character but you're kind of a cool guy, you're probably not going to get the nerd part. The nerd is going to get the nerd part. You know, someone like me.
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I think the sensitivity that you need to create certain things sometimes would spill over into things that shouldn't have bothered me.
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I lived in South Africa until I was 11 when we first immigrated. My mom had sent me back there when I was 14 for summer vacation. I wasn't doing very well in school, my grades were slipping. I called my mom one day and told her that I wasn't coming back. I ended up staying there until I was 17 before coming back to North America.
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The whole edifice of modern physics is built up on the fundamental hypothesis of the atomic or molecular constitution of matter.
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I've always thought about my legacy - more so, though, my impact off the field and how I'm helping my community and solidifying and strengthening the lives of others around me. And also, I just want to be a dominant football player, too. So it encompasses everything.
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I still have a lot to do, a lot to improve.
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'Gatekeeper' was sort of my first attempt to put a little bit of a frame and boundaries around songwriting, and try to figure out a way to approach it that had a sort of end result in mind. I haven't written many like that.
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The longer I live and the more I read, the more certain I become that the real poems about spring aren't written on paper. They are written in the back pasture and the near meadow, and they are issued in a new revised edition every April.
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Because of the nature of monthly comics and deadline, I pretty much have to work on whatever's on fire, I'm afraid.
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When you tell your truth, you are coming from a real place, so you are automatically a leader.
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As a society, we're failing. In so many ways. Such high incarceration rates of underrepresented minorities ultimately means we're missing out on great potential from black and Latino communities. Yes, there's immense talent brewing even within the most impoverished neighborhoods. Talent is universal, but opportunity is not.
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What is clear to me, always, is that the writing must never lose sight of truth as its ultimate goal. Page after page, the drive to capture what is true, and not what resembles the truth, shapes the work. If, even for a few passages, the tone becomes false—that is, too studied, too limpid, too regimented, too well-phrased—I am obliged to stop and to figure out where I started to go wrong. If I can’t, I throw everything away.
