Oscar Niemeyer Quotes
I pick up my pen. It flows. A building appears. There it is. There is nothing more to say.
Quotes to Explore
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I can think of no one that my grandparents knew, that told me stories and that I experienced myself, had any sense of social inferiority growing up in segregated Washington. None whatsoever.
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What's great about stand-up is that you can say whatever you want and go around the country, and sometimes the world, and work on it and see how people react. You don't need Standards & Practices or notes from lawyers or producers to tell you what's funny.
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I use SPF every day, then apply foundation, mascara, eyeliner and blusher. I always take my make-up off at night and moisturize.
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I believe the old boys' network is a powerful one. No one gives up power and privilege willingly, do they?
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I grew up about 60 miles northwest of New York, in Middletown, NY.
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What a delightful thing is the conversation of specialists! One understands absolutely nothing and it's charming.
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I lived near Arthur's Seat when I lived in Edinburgh. It was the perfect playground as a child. I always have a wee run up there when I'm back.
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I can sit and analyze everything and beat myself up and say you don't quite sing as good as you used to, you're writing better songs maybe than you used to, but to me it's just the journey.
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So as I was growing up, my father was always in the middle of making a film or preparing a film. It was a full-time, all-consuming type of operation.
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When I did 'Boyz N The Hood', I never thought how we grew up in South Central was interesting enough for a movie.
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When I have a bad day, I dream about opening up a gelato stand on the streets of Sydney, Australia. Doesn't everyone have a random escape fantasy?
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Award shows, like the Grammys, were tough on us early in hip-hop, not even televising our categories or splitting them up on best male or female or any of that. We had to earn them.
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I grew up watching my mom and dad selling rooms in our motels. We had CEOs coming to our house so that my dad could persuade them to have their executives stay in Hyatt hotels.
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Happiness statistics may be most valuable in smaller, local discussions. Understanding how different sorts of programs affect the well-being of citizens would be enormously helpful to a mayor choosing between building a new bridge or offering a tax cut.
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Out-innovating them is the way to beat China. And to do everything that we do in this country to support innovative policy, that drives innovation and new products and more jobs and creates jobs. You can't - you can't put a wall up around here. We tried that in the '30s. It didn't work.
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The first thing I do when I get up, I have breakfast.
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I live in Ireland near the sea, only one mile from where I grew up - that's good, since I've known many of my neighbours for between 50-60 years. Gordon and I play chess every day, and we are both equally bad. We play chatty, over-talkative bad bridge with friends every week.
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When the days start to get shorter, I want to be in some nice brick building on the East Coast with the lights glowing in the windows. When the daylight starts changing, I want to be out West.
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We did a play of 'Frog and Toad' at my elementary school. And I'm not sure if this is part of the book or it was something that we made up on our own, but I auditioned to play the black hole, which somehow makes sense to me.
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I'm very sensitive about being held up as some sort of example. I don't consider myself any sort of role model at all. I have great advantages over many other working women, and my schedule allows me more time with my kids than many working women have.
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A producer has to want you. And if the producer trusts you and asks for your vision, it frees you up so much, not having to explain or fight for every decision. You're allowed to create.
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I want the other Victorias out there, the people that are suffering or going through something, to keep fighting.
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The world may be driven by the same ancient impulses. We will continue to see human struggles and successes. We will witness human glory and tragedies.
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I pick up my pen. It flows. A building appears. There it is. There is nothing more to say.
