Bradford Cox Quotes
Musicians and artists are not... it's not like politicians or something where you can't really affect them. There's not like this separate caste system where it's like, "I'm the musician, you're the audience. Never the two shall meet." It was a case where it was like, "Hey, you know what? I'm on your level, man."
Quotes to Explore
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An actor is somebody who communicates someone else's words and emotions to an audience. It's not me. It's what writers want me to be.
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I did a sitcom with Desi Arnaz Jr. in a pilot called 'Whacked Out.' We were bombing, and Lucille Ball grabbed the mic and started berating the audience.
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Ricky Martin is one of the artists I wanted to be growing up.
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When you're still, and some actors are really brilliant at that, you bring a kind of energy to you as opposed to sending the energy out. There are some actors, like Gary Cooper or Kevin Spacey, that are absolutely brilliant - Gene Hackman is another - at being and allowing the audience to just do the work.
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Before 'Raman Raghav 2.0,' I played a criminal in 'Badlapur.' Though the character was innocent, he was not correctly interpreted by some sections of the audience.
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In the old days, you had an audience of about 400, half of whom were committee members from somewhere or other sitting in their suits. It's become a real sports event with sports fans now.
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I believe that given the audience attention level, we could do an even more compelling 90 minutes.
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I don't think anyone's made a videogame yet that is me as the target audience.
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On some level, you could say you wouldn't have 'In Style Magazine' at all had Anna Wintour not decided to put celebrities on the cover of 'Vogue' from her earliest years as Editor in Chief.
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All artists are crazy.
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It is important to keep the filmmakers interested in you so they can offer you everything and anything. We actors are not given work on the basis of audience poll; the filmmaker will cast you after they see and like your work. It is essential to do different kind of films and not get typecast.
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Sustaining an audience with a web series is an impossible task.
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What you learn from working with other performers and musicians is invaluable, really, and can only help you grow. I mean, if you spend your whole life focusing on yourself, you're not really learning much.
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Interestingly, it is often the younger members of the audience who ask the most sophisticated questions.
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Poitier opened the doors to so many artists, not just black artists. There is a line that goes from black to Latin to Asian with regards to roles.
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Politicians are, in general, receptive to those who make the most noise.
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Reggeton has changed very much, musically. It has evolved. The artists have also evolved.
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I don't perceive an audience at all when I write a book. It's pure self-indulgence.
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I get inspiration from all kinds of things: I can get it from hanging out with my son, from hanging out with my wife, from checking out different artists, from hearing something at a party.
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The big battle at the end of DW isn't drawn from history, but it's influenced by history, certainly.
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All that makes earlier times seem simpler is our ignorance of their complexities.
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My mom's a painter, and she used to wear black all the time, and so do I. So I would say a black T-shirt with a pocket is my go-to.
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Being humbled has been a part of my life for a long time.
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Musicians and artists are not... it's not like politicians or something where you can't really affect them. There's not like this separate caste system where it's like, "I'm the musician, you're the audience. Never the two shall meet." It was a case where it was like, "Hey, you know what? I'm on your level, man."
