Harry Belafonte Quotes
Quotes to Explore
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If the conditions were right there could be great acceptance. Often it is only when they pose an economic or political threat that it turns really ugly.
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In America, black urban teenagers have long been lacking in inclusion. In France, there is a comparable lack of inclusion among North Africans. In much of Europe, there has been little attempt to include the Roma.
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I've done comedy most of my career, which I love, but I wanted to expand.
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All four majors are definitely a priority.
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I was born in San Diego, and we moved to Los Angeles when I was seven. A couple of years later, I started acting!
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I'll hear people say every so often that having HIV must not be so bad - 'Just look at Magic and how well he's doing.'
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The point of writing my name to you is that I see who you are, you see who I am... and that's what it's about.
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I still consider myself a working-class girl and would send my kids to public school.
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For working people and union members, Labor Day stands for something special and profound. It's a day to honor the deep commitment each of us has to serve the children we teach, the families we heal, and the communities we love.
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It was a pleasure to meet President Obama and Michelle. I'm not a political person, but I admire what he has done.
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The big tragedy in baseball is that the amateur spirit has gone out of it to a large extent.
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You probably don't need more weapons than what's required to destroy every city on earth. There's only 2,300 cities. So, the United States, by that criteria, only needs 2,300 nuclear weapons - well, we've got more than 25,000!
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I think I would have a better time writing films rather than directing.
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Australia has a very big history of incarceration. What does that mean to us? What does it mean that we came over to a country that's not necessarily ours and filled it with white prisoners?
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People don't really want reality. They want theater, and that's different.
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As his talent expands, some of his stories become pointed social commentary; some are surprisingly effective religious tracts, disguised as science fiction. Others still are nostalgic vignettes, but under it all is still Bradbury, the poet of 20th-century neurosis.
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In passing, also, I would like to say that the first time Adam had a chance he laid the blame on a woman.
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It is a false choice to tell Israel that it has to choose between peace on the one hand and security on the other. The United Nations would not ask any other country to make that choice, and it should not ask it of Israel.
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I remember that the first time I looked at my son, of course I felt love. But I think the first feeling was not love: it was fear. Someone is needing me. If something happens to him, what am I going to do? Maybe I won't survive if something happens to him? The fear was as big as the love.
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I have never sought out the extraordinary or the scoop. I looked at what complemented my life. The beauty of the ordinary was always the source of my greatest emotions.
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I always tell students that writing a poem and publishing it are two quite separate things, and you should write what you have to write, and if you're afraid it's going to upset someone, don't publish it.
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I'm not the type of guy to go so deep with the concept songs, but there's deep thought in everything. Maybe it's not just a repetitive hook telling you what the song is about - you have to use your brain a little bit.
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I think the music should definitely underscore the sentiment of the song, and it can work for or against it.
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You can cage the singer but not the song.
